Geoffrey Gilbert (flute) Maurice Clare (violin)
Frederick Riddle (viola)
William Pleeth (cello)
Marie Korchinska (harp)

An illustrated talk by Cynthia Jolly on the collecting and recording of a number of Hungarian folk songs

2-Why Was Science Backward in the Middle Ages? by Michael Postan , Professor of Economic History at Cambridge
Second of sixteen talks by various speakers on the origins and results of the Scientific Revolution, which culminated in the seventeenth century

Zara Nelsova (cello)
Marko Rothmuller (baritone)
London Philharmonic Choir
(Chorus-Master, Frederic Jackson )
London Philharmonic Orchestra
(Leader, David Wise)
Conducted by the composer
From the Royal Albert Hall , London
Part 1
Suite Symphonique
Overture; Passacaglia; Finale
Schelomo (Solomon): Hebrew Rhapsody
for cello and orchestra

Last of three talks by Hesketh Pearson
The subject of this talk is Sir Herbert Tree and his management of the Hay-market and His Majesty's Theatres. Hesketh Pearson 's reminiscences include the first production of Shaw's ' Pygmalion.'

(Concert continued)
Sacred Service (Avodath Hakodesh)

An essay on the portrait of Goethe in the Campagna
Arranged for broadcasting and produced by Douglas Cleverdon

Sonatas for Violin and Piano
Sonata in A, Op. 12 No. 2 played by Frederick Grinke (violin)
Kendall Taylor (piano)
Second of eight recitals in which all Beethoven's sonatas for violin and piano are to be played

by Lord Byron Read by Valentine Dyall Production by Frank Hauser

Nun lass' uns Frieden schliessen; Wie viele Zeit verlor ich: Alexander Kipnis (bass) with Coenraad van Bos (piano)
Cophtisches Lied 1: Alexander Kipnis
(bass) with Gerald Moore (piano)
Ich liess mir sagen; Ich esse nun mein Brot nicht trocken mehr: Wie lange schon war immer mein Verlangen; Was soil der Zorn. mein Schatz: Elisabeth Rethberg (soprano) with Coenraad van Bos (piano)
Der Musikant; Der Soldat (1); Der
Schreckenberger: Alexander Kipnis (bass) with Gerald Moore (piano)
Grenzen der Menschheit:
Alexander Kipnis (bass) with Coenraad van Bos (piano) on gramophone records

Talk by Claude Bourdet