Talk by Henry V. Dicks , Nuffield Professor of Psychiatry at the University of Leeds
Professor Dicks has had opportunities during the war of studying the characteristics of the German soldier in relation to life and politics. He offers his views on this topic as a. contribution to social psychology

Schiitz and his Predecessors and Contemporaries
BBC Singers:
Margaret Godley , Margaret Rees , Maude Baker , Margaret Rolfe , Bradshaw MacMillan , Emlyn Bebb , Stanley Riley , Leonard Hubbard
Conducted by Cyril Gell
Susi Jeans (organ)
Third programme of a series devised by Susi Jeans. From Cleveland Lodsre, Dorking. Surrey

A series of four talks by anthropologists and sociologists
1—' The Anthropological Framework '
Raymond Firth , Professor of Anthropology in the University of London, discusses the attitude of social anthropologists to the changing problems of contemporary society
The other speakers in this series will be Meyer Fortes , Reader in Social Anthropology, University of Oxford (June 2); Adam Curie , research worker in the Institute of Social Anthropology at Oxford (June 9); and Edward Shils. Reader in Sociology. University of London (June 16)

in Honour of H.M. QUEEN MARY'S
Eightieth Birthday
BBC Symphony Orchestra
(Leader, Paul Beard )
Conductor, Sir Adrian Boult
Elisabeth Schumann (soprano)
Phyllis Sellick (piano)
Part 1

During the interval Alvar Lidell reads from Basil Maine's ' Life of Elgar '

Part 2
Concert organised by the trustees of the Elgar Birthplace. From the Royal Albert Hall, London

Programme commemorating
Robert Emmet
Written by Valentin Iremonger
Produced by Louis MacNeice
Robert Emmet , one of the most romantic figures of Irish Nationalism. was born in Dublin in 1778 and hanged in 1803, after planning and leading an abortive rising. This tragedy and Emmet's love for Sarah Curran are here treated afresh by a young Irish poet

John Francis (flute) Joy Boughton (oboe)
Stephen Waters (clarinet)
Millicent Silver
(harpsichord and piano)
Florent Schmitt's Sonatine en Trio dates from 1935. It is not a pastiche of the eighteenth-century style, but seems if anything to owe more to folk-music. It is in four short movements.
Milhaud's Sonata was written in 1918, when the composer was twenty-six and was attached to the French Legation in Brazil. It is written in his earlier rather dissonant and poly-tonal style, and its four movements-Tranquille, Joyeux, Emporte, and Douloureux-express a varying succession of moods. It was performed at the I.S.C.M. Festival at Salzburg in 1922-the first year of this society's activities. Although Milhaud had already written five string quartets, two violin sonatas, and several works for violin and piano before 1918 this sonata is his first chamber work for wind .instruments.—HUMPHREY SEARLE