and Weather Forecast

Symphony in C minor (1788)
(Bocchermi)
ROSSINI ORCHESTRA OF NAPLES
Conducted by FRANCO CARACCIOLO
731* Sixteen German Dances and two Ecossaises (D.783) (Schubert, arr. Liszt)
VITYA VRONSKY and VICTOR BABIN (piano duet)
7.33* Concertino in C minor, for clarinet and orchestra (Weber)
David GLAZER INNSBRUCK SYMPHONY ORCHESTRA Conducted by ROBERT WAGNER
7.43* Overture: Semiramide
(Rossini)
PHlLHARMONlA ORCHESTRA
Conducted by CARLO MARlA GIULINI on gramophone records

and Weather Forecast

Overture: La dama boba
(Wolf-Ferrari)
PARIS CONSERVATOIRE Orchestra Conducted by NELLO SANTI
8.13* Piano Concerto No. 2. in C minor (Rachmaninov)
JOHN OGDON
PHlLHARMONIA ORCHESTRA
Conducted by JOHN PRITCHARD
8.48* Symphonic Poem: Amid the Roman Ruins (No. 2, From Italy) (Strauss)
VIENNA PHILHARMONIC ORCHESTRA Conducted by CLEMENS KRAUSS on gramophone records

and Weather Forecast

Couperin and Rameau
Acte de ballet: Pigmallon
(Rameau)
ANDREE Esposite , CLAUDINE COLLART EDITH SELIG (sopranos) ERIC MARION (tenor)
RAYMOND ST. PAUL CHOIR
LAMOUREUXCHAMBER ORCHESTRA Conducted by MARCEL COURAUD on a gramophone record

Gramophone records highlighting musical anniversaries occurring this week

Variations and Fugue on a theme of Handel played by EILEENBROSTER (piano)

Second Test Match at Lord's: Final day
Ball-by-ball commentaries by Brian Johnston, Robert Hudson and Roy Lawrence comments and summaries by Norman Yardley and E.W. Swanton

10.55-1.35* including lunchtime summary

2.10-4.20* including teatime summary

4.30-5.35 or 6.5 including close-of-play summary

(Music Programme
The Music Programme will be resumed at the close of Test Match Special at 5.35 p.m., or at 6.5 p.m. if the extra half-hour of play is called for)

Conducted by FREDERICK FENNELL
Suite No. 2, in F major (Hoist)
5.45* Three Japanese Dances
(Bernard Rogers ) with CAROL DAWN MOYER (mezzo-soprano)
5.58- Armenian Dances
(Khachaturyan) on gramophone records

RANSOME AND MARLES WORKS BAND
Conductor, DENNIS J. MASTERS

The European Economic Community
3: The European Parliament and Court by JOHN PINDER

16 OTBET M3 POCCNN
A course of twenty lessons In spoken Russian for near-beginners Lesson 16
Written by VAUGHAN James University of Sussex given by VAUGHAN JAMES MARINA RYAN and VICTOR GREGORIY
Language consultant Lyubov Volossevich
Produced by Richard Hooper
(Home)
A booklet Is available

Eight programmes on the background of the Roman world
7: Vergil and the Latin literary tradition by ROBERT COLEMAN
Fellow of Emmanuel College. Cambridge
The Aeneid is the most ambitious work of Rome's greatest poet. In this programme Mr. Coleman assesses Vergil's achievement as an epic poet in the context of Roman literature.
With readings by HAMLYN BENSON
Produced by Adrian Johnson
A reading list can be obtained by sending a stamped addressed foolscap envelope to The Romans, [address removed]

A Metabiological Pentateuch by Bernard Shaw
Cecil Parker
Renee Asherson
Alec McCowen
Valerie White
Heron Carvic in Part 4
Tragedy of an Elderly Gentleman
Acr 1: A.D. 3000. Burrin Pier on the south shore of Galway Bay In Ireland. A fine summer day
Act 2: A courtyard before the columned portico of a temple
(Second broadcast)
Part 5: As Far as Thought Can

Trio in E flat major (H.XV.22) 9 43* Trio in A major (H.XV.18)
10.0* Trio in E flat major
(H.XV.29)
† LONDON CZECH TRIO
Jack Rothstein (violin) Karel Horitz (cello)
Lisa Marketta (piano) First of four programmes
English Canzonets, Book 2 and Cantata — Arianna a Naxos: June 29

A experiment in combining spoken poetry with electronically produced sounds
Arranged, directed, and introduced by Rosemary Tonks in conjunction with the BBC Radiophonic Workshop.
The programme is based on the following nine poems:
Speechhouse and Steeple-jock by Michael Baldwin
Mediterranean and A Silent Man by Peter Redgrove
Midsummer Thames and Fisherman of Alaedras by Paul Roche
Poet as Gambler, Badly-chosen Lover and Orpheus in Soho by Rosemary Tonks
Produced by George MacBeth
The original effects on which the orchestrations in this programme were based were recorded by 'Stagesound' for a public performance of sono-montage in Hampstead followed by an interlude at 18.50.

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