and Weather Forecast

Overture: Si j'etais rot (Adam)
LONDON PHILHARMONIC ORCHESTRA
Conducted by JEAN MARTINON
7.12* Suite: Pelleas et Mélisande
(Faure")
SUISSE ROMANDE ORCHESTRA
Conducted by ERNEST ANSERMET
7.29* Concertante for violin, cello, oboe, bassoon, and orchestra (Haydn)
GEORGE HENDEL (violin) BETTY HENDRICHS (cello)
HELMUT WINSCHERMANN (oboe) JACQUES HAULTIER (bassoon)
SAAR CHAMBER ORCHESTRA
Conducted by KARL RISTENPART
7.51* In the Steppes of Central
Asia (Borodin)
SUISSE Romance ORCHESTRA
Conducted by ERNEST ANSERMET on gramophone records

and Weather Forecast

Overture: Alfonso and Estrella
(Schubert)
BERLIN PHILHARMONIC ORCHESTRA
Conducted by FRITZ LEHMANN
8.10' Horn Concerto No. 1, In E flat major (Strauss)
DENNIS BRAIN
PHILHARMONIA ORCHESTRA
Conducted by WOLFGANG SAWALLISCH
8.26* Suite for string orchestra
(Janacek)
VIENNA SYMPHONY ORCHESTRA
Conducted by HENRY SWOBODA
8.46* Overture: Rienzi (Wagner)
VIENNA PHILHARMONIC ORCHESTRA
Conducted by GEORG SOLTI on gramophone records

and Weather Forecast

Mendelssohn
Overture: Fingal's Cave PHILHARMONIA ORCHESTRA
Conducted by OTTO KLEMPERER
9.15* Symphony No. 5, in D major
(Reformation)
BERLIN PHILHARMONIC ORCHESTRA Conducted by LORIN MAAZEL on gramophone records

Gramophone records of excerpts from Mozart's opera The cast includes
LISA DELLA CASA , CHRISTA LUDWIG and ERICH Kunz with the VIENNA PHILHARMONIC ORCHESTRA Conducted by KARL BÖHM

Friday Mozart series
Quartet in F major, for oboe and strings (K.370)
10.45* Quintet In A major, for clarinet and strings (K.581)
Tess MILLER (oboe) THEA KING (clarinet)
DELME STRING QUARTET
Granville Jones (violin) Jiirgen Hess (violin)
John Underwood (viola) Joy Hall (cello)

at Lord's
Second day
Ball-by-ball commentaries by BRIAN JOHNSTON , ROBERT HUDSON and Roy LAWRENCE with comments and summaries by NORMAN YARDLEY and E. W. SWANTON
11.25-1.35* including lunchtime summary
2.10'-4.20*
Including teatime summary
4.30'-6.35
Including close-of-play summary

A series of six monthly programmes for those interested in the amateur theatre
6: The Audience and You the critics; adjudication and competitive drama
Speakers.
WALTER LUCAS. JOHN FERNALD FRANK SMITH , BETTY RUDD
HUGH CROYDON, FRANK DIBB
Introduced by ADRIAN RENDLE
† Produced by Edith R. Baer
A list of suggestions for further reading and useful addresses can be obtained by writing to: ' Theatre Club'F.E.Department.Broadcasting House. W.I.

Ten programmes on the changing function and scope of British Industry
5: Equipment and Production
† Introduced by STEPHEN PARKINSON
Editor of The Times Review of Industry and Technology
Manufacturing investment will have to increase by a half between 1964 and 1970 if industry is to be equipped to produce more exports, save imports, and economise on manpower. Long-term planning. including new analytical techniques. will be essential to achieve this end.

Some of the songs published during his lifetime
Schafers Klagelied; Erster Ver lust; Am Grabe Anselmos; Die abgebluhte Linde; Der Flug der Zeit; Der Jungling auf dem Hugel; Erlafsee; Am Strome (Ist's mir doch, als war' mein Leben)
Hugues Cuenod (tenor) Martin Isepp (piano)

In conversation with IDRIS PARRY
Elias Canetti is something of an enigma. A Spanish Jew, born in Bulgaria and educated mainly in Vienna, he now lives in London and writes novels, plays, and essays in German. His novel Auto da Fé has been called one of the great novels of this century and yet it is not as well known as this would suggest. The clue to an understanding of his work lies perhaps in his extraordinary life, and in this conversation with Idris Parry he talks freely about the influences which have shaped his thinking and writing.

by August Strindberg translated by MAX FABER adapted by Mary Hope Allen and Archie Campbell with Felix Aylmer and Denys Blakelock
The narrator.PRESTON LOCKWOOD The place: Sweden. The year: 1907
† Produced by ARCHIE CAMPBELL

A programme in which different interpretations on gramophone records are compared
ARTHUR HEDLEY introduces performances of Chopin's
Impromptu in F sharp major and Waltz in A flat major. Op. 64 No. 3 and discusses these with PAUL HAMBURGER and HOWARD FERGUSON
He withholds the Identity of the performers until the discussion of each interpretation is complete
Listeners may find It helpful to have a Chopin Institute edition of these pieces to hand during the Programme