and Weather Forecast

Overture: The Force of Destiny
(Verdi)
PHILHARMONIA ORCHESTRA
Conducted by CARLO MARIA GIULINI
7.12* Concierto de Aranjuez, for guitar and orchestra (Rodrigo)
NARCISO YEPES
SPANISH NATIONAL ORCHESTRA
Conducted by ATAULFO ARGENTA
7.34* Suite No. 3, in D major
(Bach)
PHILOMUSICA OF LONDON
Conducted by THURSTON DART
7.54* Hungarian Dances (Brahms)
No. 20. in E minor No. 19. in B minor
BERLIN PHILHARMONIC ORCHESTRA
Conducted by HERBERT VON KARAJAN on gramophone records

and Weather Forecast

Leader, Thomas Carter
Conductor, JEAN POUGNET with LEONARD CASSINI (piano)

and Weather Forecast

Mendelssohn
Prelude and Fugue No. In E minor
9.12* Andante and Rondo capriccioso in E major
JULIUS KATCHEN (piano)
9.18' Cello Sonata No. 2. in D major
JANOS STARKER (cello) GYÖRGY SEBÖK (piano) on gramophone records

Directed by YEHUDI MENUHIN with JOAN CARLYLE (soprano) and LEON GOOSSENS (oboe) the programme includes
Concerto Grosso No. 10, in G minor, by Handel
Symphony No. 29, in A major, by Mozart and excerpts from
Purcell's The Indian Queen on gramophone records
A stereophonic broadcast: see p. 4

SHIRLEY SANS (soprano) PAUL HAMBURGER (piano)
ARTUR BALSAM (piano)
Second of three programmes In which Artur Balsam plays Beethoven

A series of five programmes
3: Lent by W. R. Rodgers
Introduced and read by THE AUTHOR

A series of ten programmes for listeners who want to know more about the language and life of German-speaking countries
Programme 1:
Interview mit zwei Deutschen
Etwas iiber den Strassenverkehr Ein Gedicht von Goethe
Ein Lied von Schubert
Introduced by SABINE MICHAEL and DIETER GEISSLER
Written and produced by Edith R. Baer
The purpose of this new series Is to help listeners to broaden their knowledge of the language so that they can follow a play or an opera, or enjoy contemporary writing. As the title Buntes Magazin implies. each programme will contain a variety of items: a poem or short story; a song classical or pop: background information about German-speaking countries in the form of easy conversation: comments on idiomatic phrases and difficult expressions. There will also be interviews with Germans visiting this country to help listeners accustom themselves to ' spontaneous ' speech.

A series of twenty programmes, intended for listeners who already have some knowledge of French. An imaginary roving reporter, Gilles Leroy , records his impressions of the different places he visits each week
16: En Bourgoane
Introduced by KATIA ELLIS with the help of Emile Harven
Script by Odile Castro and Elsie Ferguson
Produced by Elsie Ferguson
Language consultant. Paul Couster
Monday's broadcast
A booklet is available

A monologue with interruptions by Wolfgang Hildesheimer
Translated and produced by CHRISTOPHER HOLME with Penelope Lee
Anthony Hall. Douglas Hankin Allan McClelland. Beth Bovd Malou Pantera , Nigel Graham and Brian Hewlett
Second broadcast

Sixteenth-century vocal and instrumental dance music
MUSICA RESERVATA Jantina Noorman (mezzo-soprano)
Grayston Burgess (counter-tenor)
John Whitworth (counter-tenor) Nigel Rogers
(tenor and crumhorn)
John Sotheott (recorder) Don Smithers
(cornetto and crumhorn) Tony Moore
(sackbut and trombone) Alan Lumsden
(sackbut and trombone)
Daphne Webb (tenor rebec) John Beckett
(viol and harpsichord)
Desmond Dupre (viol and lute) Brian Wilson (harp)
Jeremy Montagu (percussion)
Director, MICHAEL MORROW (lute)
Eleventh of fourteen programmes
June 23:
Cavalli's Messa Concertata

Co-operation, Collusion, or Conspiracy by GEORGE RICHARDSON
In our determination to foster the healthy economic effects of competition, we have developed an almost ideological resistance to monopolies, price rings, and agreements among manufacturers Far from always being ' in the public interest.' George Richardson argues, this article of faith may well diminish the benefits to be obtained from economic planning and may even, in certain cases, be actually harmful to the economy.

Helga Pilarczyk (soprano)
Jeanne Deroubaix
(contralto)
Belgian Radio
Symphony Orchestra
Recording made available by courtesy of Belgian Radio

by N W. SIMMONDS
Director of the Scottish Plant Breeding Station
Plant breeding is accelerated evolution and its economic importance is unquestioned But in the process what happens to the less favoured unselected genes? If old varieties are replaced and go out of cultivation, will the reservoir of gene variability dry up and future breeders have only impoverished material to work on? Second broadcast