and Weather Forecast

Mozart
Overture: The Impresario
ROYAL PHILHARMONIC Orchestra
Conducted by COLIN DAVIS
7.9* Piano Concerto No. 21, in C major (K.467)
GEZA ANDA (piano) directing the SALZBUKG MOZARTEUM ORCHESTRA
7.38* Symphony No. 25, in G minor
(K.183)
LONDON SYMPHONY Orchestra
Conducted by COLIN DAVIS on gramophone records

and Weather Forecast

Conducted by GEORGE SZELL
Symphonic Poem: Don Juan
(Strauss)
8.21* Pavane pour une infante defunte (Ravel)
8.28* Pictures from an Exhibition
(Mussorgsky, orch. Ravel) on gramophone records

and Weather Forecast

Tippett and Berkeley
Gramophone records of Tippett's String Quartet No. 2, in F sharp major, and movements from Berkeley's Trio for violin, horn, and piano

Gramophone records highlighting musical anniversaries occurring this week

played by LILI KRAUS (piano)
Variations in F minor (H.XVII.6)
10.40* Sonata in D major (Haydn
Society No. 37)

at Old Trafford, Manchester
Final day
Ball-by-ball commentaries by JOHN ARLOTT , ROBERT HUDSON , and Roy LAWRENCE with comments and summaries by F. R. BROWN and NORMAN YARDLEY

Overture: The Merrymakers (Coates)
PRO ARTE ORCHESTRA
Conducted by GILBERT VINTER
Serenade for flute, harp, and string orchestra (Howard Hanson)
MAURICE SHARP (flute)
ALICE CHALIFOUX (harp) CLEVELAND SINFONIETTA
Conducted by Louis LANE
5.44' Ballet: Pineapple Poll (Scene
1) (Sullivan, arr. Mackerras)
ROYAL PHILHARMONIC ORCHESTRA
Conducted by CHARLES MACKERRAS on gramophone records

BRIGHOUSE AND RASTRICK BAND
Conductor. W. B. HARGREAVES plays music by Thomas Keighley
Tone poem: Lorenzo
6.18* Symphonic Rhapsody: The
Crusaders

The European Economic Community
1: The Treaty of Rome
Ϯ by JOHN PINDER

Revision Programme by VAUGHAN JAMES
University of Sussex
Vaughan James answers queries on points of grammar and vocabulary which lisfeners may have found difficult during the course
Produced by Richard Hooper

5: Ostia by M. W. FREDERIKSEN , Fellow of Worcester College, Oxford Ostia lay at the mouth of the river Tiber and had a long history as the harbour town of Rome. The excavation of the last sixty years has revealed many of the buildings and housing blocks of the city centre, and fresh excitement has come quite recently when the remains of the first harbour were unearthed during the construction of Rome's new civil aerodrome. The ruins of Ostia are a rival to those of Pompeii and Herculaneum; they have given a clear and detailed picture of the commercial activities, the social life and the style of living in a town at the height of the Roman Empire.
With readings by Tim SEELY
Produced by Adrian Johnson

by W. B. Yeats adapted for broadcasting by W. R. RODGERS with Eithne Dunne
Ray McAnally , Eamonn Keane
Cast in order of speaking :
Others taking part:
R. H. MacCandless , Michael Duffy , Jack McQuoid , Kathleen Feenan , Irene Bingham , Gwendolyn Stewart
Music composed and conducted by HAVELOCK NELSON played by the LIGHT ORCHESTRA
Produced by RONALD MASON
Third broadcast

JAMES HOLLAND and David Johnson (timpani)
HUGUES CUÉNOD (tenor)
SOCIETE DE MUSIQUE D'AUTREfOIS Michel Sanvoisin (recorder) Claude Maisonneuve (oboe) Stanley Weiner (violin)
Madeleine Lamy-Dubreuil iviolin)
Jean Lamy (bass viol) Guy Robert (lute)
Antoine Geoffroy-Dechaume (harpsichord)
Genevieve Thibault (organ) with WILLIAM WATERHOUSE (bassoon)
Part 1
Continued in next column

A series of five talks
2: Two Faces of Law
Ϯ by DAVID POCOCK
Lecturer in Indian Sociology in the University of Oxford We are familiar with law as an abstraction, a concept ' brooding upon the face of the waters ' and ordering society from somewhere above, as it were. But does the reflexive abstraction make any sense apart from the social experience which is its matrix and its creation? Dr. Pocock reflects on the relational and systematising aspects of law, as embodied in individual societies.
H. R. Post : Schnorkelheim' Law: June 14

Part 2
A concert given in the Holywett
Music Room. Oxford, during the English Bach Festival 1965

by PATRICK COWERS
Erik Satie 's music has always given rise to controversy and has excited ecstatic praise from some critics and contempt from others. Patrick Gowers , who has made a special study of Satie criticism, discusses some ideas that recur in it that throw light not only on the composer himself but also his critics.