Programme Index

Discover 11,128,835 listings and 279,803 playable programmes from the BBC

Beethoven and Berlioz BOSTON SYMPHONY ORCHESTRA Conducted by CHARLES MUNCH
SVIATOSLAV RICHTER (piano)
Hungarian March (The Damnation of Faust) (Berlioz)
7.9* Piano Concerto No. 1, in C major (Beethoven)
7.4T. Royal Hunt and Storm (The
Trojans) (Berlioz) on gramophone records

Contributors

Unknown:
Berlioz Boston
Conducted By:
Charles Munch
Piano:
Sviatoslav Richter

Liszt
Rapsodie espagnole
GYORGY CZIFFRA (piano)
9.17' Les jeux d'eaux a la villa d'Este
9.25* Piano Concerto No. 1, in E flat major
SVIATOSLAV RICHTER (piano)
LONDON SYMPHONY ORCHESTRA
Conducted by KYRIL KONDRASHIN on gramophone records

Contributors

Piano:
Sviatoslav Richter
Conducted By:
Kyril Kondrashin

Conducted by KARL RISTENPART
Divertimento in C major, for the King of Naples (H. 11.32) (Haydn)
9.55* Concerto in A minor, for four harpsichords (Vivaldi — Bach) with Fritz NEUMEYER , LILY BERGER , KONRAD BURR. and ILSE URBUTEIT (harpsichords)
10.7* Symphony No. 7, in C major
(Le midi) (Haydn) on gramophone records
A stereophonic broadcast: see p. 2

Contributors

Conducted By:
Karl Ristenpart
Unknown:
Fritz Neumeyer
Unknown:
Lily Berger
Unknown:
Konrad Burr.

A series of ten programme. for listeners who want to know more about the language and life of German-speaking countries
Programme 3
Eine Kurzgeschichte von Mas Frisch (i)
Die neue Fahre zwischen Harwtct und Bremerhaven
Ein beliebtes Seemannslied
Introduced by Sabine Michael and DIETER GEISSLER
Written and produced by Edith R. Baer
Rptd.: July 9 at 11.35 a.m. (Home)

Contributors

Unknown:
Eine Kurzgeschichte
Unknown:
Mas Frisch
Introduced By:
Sabine Michael
Introduced By:
Dieter Geissler
Produced By:
Edith R. Baer

A series of twenty programmes, intended for listeners who already have some knowledge of French.
An imaginary roving reporter, Gilles Leroy , records his impressions of the different places he visits each week.
18: Ronchamp
Introduced by KATIA ELLIS with the help of Emile Harven
Script by Odile Castro and Elsie Ferguson
Produced by Elsie Ferguson
Language consultant, Paul Couster
† Monday's broadcast
A booklet is available

Contributors

Reporter:
Gilles Leroy
Introduced By:
Katia Ellis
Unknown:
Emile Harven
Script By:
Odile Castro
Script By:
Elsie Ferguson
Produced By:
Elsie Ferguson
Unknown:
Paul Couster

A comedy by William Congreve
Arranged for broadcasting by RAYMOND RAIKES with Purcell's original music arranged by STEPHEN DODGSON with James Dale , Miles Malleson
Nicholas Parsons
Maxine Audley
John Justin , Joanna Dunham
Characters in order of speaking:
(continued in next column)
Music directed by KENNETH ALWYN
The Scene: London, 1692
Produced by RAYMOND RAIKES
† Second broadcast
Nicholas Parsons Is appearing In ' Boetng-Boeing at the Duchess Theatre. London: Miles Malleson is a National Theatre Player
DURING THE INTERVAL (8.25*-8.35*) the orchestra, conducted by Kenneth Alwyn , plays a Suite for Strings and Harpsichord from the Purcell music to The Old Bachelor arranged and edited by Thomas F. DunhiU (1931)

Contributors

Comedy By:
William Congreve
Broadcasting By:
Raymond Raikes
Arranged By:
Stephen Dodgson
Unknown:
James Dale
Unknown:
Miles Malleson
Unknown:
Nicholas Parsons
Unknown:
Maxine Audley
Unknown:
John Justin
Unknown:
Joanna Dunham
Directed By:
Kenneth Alwyn
Produced By:
Raymond Raikes
Unknown:
Nicholas Parsons
Unknown:
Miles Malleson
Conducted By:
Kenneth Alwyn
Edited By:
Thomas F. Dunhiu

An advocacy of original writing for degrees by Raymond Wilson
Mr. Wilson argues that university examinations should allow English candidates to offer creative work in prose or verse as well as their critical essays. He believes that this might, in Sir Arthur Quiller -Couch's phrase, help to 'make appropriate, perspicuous, accurate. persuasive writing a recognisable hallmark of anything turned out by our English school.'
Second broadcast

Contributors

Unknown:
Raymond Wilson
Unknown:
Sir Arthur Quiller

Network Three

Appears in

About this data

This data is drawn from the Radio Times magazine between 1923 and 2009. It shows what was scheduled to be broadcast, meaning it was subject to change and may not be accurate. More