From page 109 of 'New Every Morning'

by Verdi from
The Festspielhaus, Salzburg
Kerstin Thorborg (alto)
Helge Roswaenge (tenor)
Alexander Kipnis (bass)
Jinka Kunz (soprano)
The Vienna Philharmonic
Orchestra
Conductor, ARTURO TOSCANINI

Leader, Charles Vorzanger
Directed by Harry Davidson from the Commodore Theatre,
Hammersmith

A commentary on the first day's play by Howard Marshall from Kennington Oval

Orchestra, continued

Leader, J. Mouland Begbie
Conducted by Kemlo Stephen

Running commentaries on some of the events by H. M. Abrahams and Jack Lovelock from the White City Stadium

A commentary on the first day's play by Howard Marshall from Kennington Oval

with Little MOLLY O'CONNOR
HARRY CASE and REUB SILVER at the piano

including Weather Forecast

A commentary on the first day's play by Howard Marshall from Kennington Oval

Conducted by Eric Warr

An Alphabetical Miscellany
Devised by Alan Keith and produced by A. W. Hanson
Letter. ' R '

RAYMOND BENNETT
Comedian
HUGHIE GREEN
MORTON DOWNEY the World-Famous American Singer
THE TWO LESLIES
(Leslie Sarony and Leslie Holmes )
Britain's Brightest Entertainers
THE DUNCAN SISTERS
SYDNEY BAYNES AND HIS
LIGHT ORCHESTRA

Queen Victoria's Letters from Balmoral read by Eve Morganti
(From Glasgow)

at the BBC Theatre Organ

including Weather Forecast and Forecast for Shipping

A monthly commentary on American affairs
Raymond Gram Swing
(From America)

William Primrose (viola)
Louis Kentner (pianoforte)
Early in 1891, when Brahms went to stay with the Duke of Meiningen, he heard Miihlfeld, principal clarinet of the Meiningen Orchestra, whose tone was as beautiful as his execution was clean and brilliant. Brahms was so impressed that he asked Miihlfeld for a private recital, at which Miihlfeld played many examples of clarinet music and explained the finer technical points of his instrument. The result was that Brahms composed four works in which the clarinet played a predominant part: two
Sonatas for clarinet, a Trio for clarinet, 'cello, and piano, and a Quintet for clarinet and string quartet.
But though actually inspired by clarinet tone, these works retain much of their beauty when the clarinet part is taken by a viola. This is particularly true of the two Sonatas, for in the viola versions Brahms did not merely transfer the part from one instrument to the other but rewrote it to a considerable extent.

including Weather Forecast