From page 27 of ' When Two or Three '

Commentary by HOWARD MARSHALL from the Oval

Leader, Tom Jenkins
Conductor, FRANK GOMEZ from the Spa, Whit by

Commentary by HOWARD MARSHALL from the Oval

Leader, Alfred Barker
Conducted by CRAWFORD McNAIR

Commentary by HOWARD MARSHALL from the Oval

Gramophone Records
The Band of His Majesty's Cold-stream Guards, conducted by Lieut. R. G. Evans ; Overture, Morning, Noon and Night (Suppe, arr. Morelli)
Harold Williams (baritone), When the Harvest's in (Merry-go Round) (Sterndale-Bennett)
The Band of His Majesty's Cold-stream Guards, conducted by Lieut. R. G. Evans , Selection, Tales of Hoffmann (Offenbach)
Harold Williams (baritone) : Can't remember (Goatley). Falmouth is a fine town (Ronald)
The Band of His Majesty's Cold-stream Guards, conducted by Lieut. J. C. Windram : Belphegor March (Brepsant)

Directej by PHILIP MARTELL from the Commodore Theatre,
Hammersmith

Commentary by HOWARD MARSHALL from the Oval

from the Slieve Donard Hotel, Newcastle, County Down

JOHN LALITTE (baritone)
JOHN LALITTE
JOHN LALITTE

including Weather Forecast and Bulletin for Farmers

Conductor, W. Wormald

At Queen's Hall, London
(Sole Lessees, Messrs. Chappell and Co., Ltd.)
Wagner
ELENA DANIELI (soprano)
HELENA BROMLEY (soprano)
EDITH FURMEDGE (contralto)
TUDOR DAVIES (tenor)
THORPE BATES (baritone)
KEITH FALKNER (bass-baritone)
THE BBC SYMPHONY ORCHESTRA (90 Players)
Principal violin, MARIE WILSON
Conducted by SIR HENRY J. WOOD

Siegfried's Journey to the Rhine (Gotterdammerung)
Hans Sachs' Monologues
1. Was duftet; 2. Wahn! Wahn!
(Die Meistersinger)
(KEITH FALKNER)
Venusberg Music (Tannhauser)
Finale, Scene 4 (Das Rheingold)
Wotan, Keith Falkner
Donner, Thorpe Bates
Froh/Loge, Tudor Davies
Woglinde, Elena Danieli
Wellgunde, Helena Bromley
Flosshilde, Edith Furmedge
Fricka

including Weather Forecast and Forecast for Shipping

by HAROLD CRAXTON
This Sonata (No. 14 in Franklin Taylor's edition) admirably illustrates Haydn's historical position as a composer of clavier sonatas in the line Scarlatti - C.P.E. Bach - Haydn - Beethoven. In some of his piano sonatas he is more advanced than Mozart; indeed, in some he seems to anticipate the post-Beethovenian romantics. This charming work is not one of them; it is a clear-cut ' harpsichord style' sonata ; but its adagio should certainly help to dispel the popular idea that Haydn wrote only ' tum-tum ' slow movements.
Another interesting point about this adagio : instead of coming to an orthodox close, it runs without a break into the final minuet.

The last of two navigators
Readings from contemporary accounts of the end of William Barents (ob. 1597) and of Henry Hudson (ob. 1611)

Directed by CHARLES KUNZ from Casani's Club