From The Concert Hall,
Broadcasting House
Conducted by The Director of Religion,
BBC
Order of Service
Hallowing Te Deum
Lesson, S. John xxi, 15-19
Anthem, God is a Spirit (Sterndale
Bennett)
Prayer
Hymn, Praise to the Holiest in the Height (A. and M. 172; S.P. 625)
Reading
Hymn, Hark, my soul, it is the Lord
(A. and M. 260; S.P. 510)
Prayer
Blessing
Relayed from Alltwen Congregational
Church, Swansea Valley
Order of Service
Hymn 621, Yr Arglwydd a feddwl am danaf (Tune, Eironwy)
Reading, Ephesians ii, 8-22
Hymn 557, Paid a'n gadael, Annwyl lesu (Tune, Llangower)
Prayer and Chanting of Lord's Prayer Anthem, Dyn a aned o wraig sy' fyr o ddyddiau (Christmas Williams)
Hymn 573, Arglwydd lesu, arwain f'enaid (Tune, In Memoriam)
Address by the Rev. W. J. REES
Hymn 706, 'Rwy'n gweld o bell y dydd yn dod (Tune, Pembroke)
The Apostolic Prayer
Conductor of the singing,
DAVID THOMAS
Organist, E. HUGHES DAVIES
The Hymns from the New Congregational Hymn-Book
Conductor,
B. WALTON O'DONNELL
DARROLL RICHARDS (tenor)
Selection, Merrie England
Edward German
Songs
The Flower Song (Carmen)... Bizet God remembers everything
Albert Arlen
My world is gold............ Tauber
Norwegian Mazurka, La Scandinave
Ganne
Ballet Music, William Tell ... Rossini
Leader, Philip Whiteway
Conducted by PETER MONTGOMERY
MAY TURTLE (soprano)
WINIFRED DAVIS (mezzo-soprano)
John Goss (baritone) and the Cathedral Male Voice Quartet: Three Ravens (arr. Kennedy Scott ) ; The Boatman (Harris) ; Benno Moiseiwitsch (pianoforte) : Pastoral and Capriccio (Scarlatti)
John Goss (baritone) and the Cathedral Male Voice Quartet: Shenandoah, Rio Grande, and Billy Boy (arr. Terry)
Benno Moiseiwitsch (pianoforte):
Intermezzo in C (Brahms) ; Waltz in E minor (Chopin)
John Goss (baritone) and the Cathedral Male Voice Quartet: Nous irons a Valparaiso (Pares, Van Parys); Sciucamunni sta lampa (arr. Favari)
Work for the Blind in South India
By W. G. SPEIGHT ,
Principal of the C.M.S. Schools for the Blind, Palamcottah, Madras
Vladimir de Pachmann (pianoforte):
Prelude in B minor, Op. 28, No. 6 ; Mazurka in C, Op. 67, No. 1 ; Waltz in G flat, Op. 70, No. 1 ; Waltz in D flat, Op. 64, No. 1 (Chopin)
Unlike many of Shakespeare's plays, Macbeth presents no problem in chronology.been produced before 1603. That fact is obvious from the topical allusions to King James in the script; and various other clues all go to suggest that Macbeth was first played in the year 1606.
The original Macbeth was the son of a Scottish hereditary ruler who had been murdered by his nephews. Macbeth, too, came to a violent end: he was killed in battle in 1078. Freely interpreting Holinshed's account of those troublous times, Shakespeare wrote in Macbeth as poignant an indictment of human nature as he did only a little later in Lear.
A short article by the producer will be found on page 7.
by Francescatti
Zino Francescatti is indebted to his father for practically the whole of his musical education. At the age of five Francescatti made his debut in public, and at ten he won great success with his brilliant interpretation of Beethoven's Violin Concerto. He has appeared in all the leading musical centres of Europe and played with most of the big orchestras - Vienna Philharmonic, Concertgebouw of Amsterdam, Colonne, Lamoureux, and Straram, to mention only a few.
An Appeal on behalf of The Victoria Hospital, Lewes, Sussex, by Cyril Maude
The Lewes Victoria Hospital, founded in 1887 and rebuilt in 1909, is a very small hospital of only fourteen beds and two cots, and serves Lewes and the surrounding district: a total population of about 15,000. The accommodation is inadequate for the district it serves, which, being agricultural, is a poor one.
The necessary extensions include new wards, extension of the existing wards, a nurses' hostel, and further X-ray equipment.
Contributions will be gratefully acknowledged, and should be addressed to Cyril Maude, [address removed]
DOROTHY BENNETT (soprano) and EDWARD REACH (tenor)
(duets)
Relayed from
The Park Lane Hotel, London
The Gondoliers- was the twelfth in the long series of Gilbert and Sullivan Comic Operas and one of the most successful, although it had not quite so long a run as the 700 consecutive nights of H.M.S. Pinafore, or the 672 nights of the Mikado. By command of Queen Victoria it was specially performed at Windsor Castle before Her Majesty and the Court. But it has a less happy interest than that. It was during its run that there occurred the unfortunate quarrel between the two associates, which looked as though it were to bring to an end the long line of joyous operas it gave us. Not for some years were they reconciled, producing their thirteenth opera together in 1893. (Soloist, ALBERT SANDLER> )