Programme Index

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Conductor, Sir DAN GODFREY
MONA LEIGH (Violin)
From THE PAVILION, BOURNEMOUTH
ALEXANDER GLAZOUNOV differs from his Hussian contemporaries in many ways, although his career has been passed in active unity with the ' new Russian School ' founded by Balakirev, Borodin. Mussorgsky, and Rimsky-Korsakov. He is, for example, a symphonic composer, and has never been attracted to opera nor very much to songs. He lias, it is true, written ballets for the stage, but their main characteristics are of the instrumental type. He shows a preference, too, for classical forms, and is the one disciple of Brahms that the Russian School can boast. His work is chiefly remarkable for its harmonic brilliance and picturesque orchestration. Even Rimsky-Korsakov is not his superior in matters of orchestral colour. All Glazounov's later symphonies have been performed in this country, and of them, the sixth is the most popular, though the fourth runs it very close. It was first produced in England at a Royal Phil. harmonic concert in 1897 and has already been broadcast on several occasions. There are only three movements in place of the usual four, and no slow movement at all.

Contributors

Conductor:
Sir Dan Godfrey
Violin:
Mona Leigh

EARLY ORGAN MUSIC
Played by G. D. CUNNINGHAM
Relayed from THE QUEEN'S HALL
(Sole Lessees, Messrs. Chappell and Co., Ltd.)
Dutch and French Composers : Variations on a Choral
Sweelinck (Dutch) (1562-1621) fugue in D Minor
Roberday (French) (1630-1695)
Grand Jeu...du Mage (French) (16..-17..)
Prelude. .Claramboull (French) (1676-1749)
Dialogue sur les grands jeux
N. de Grigny (French) (1671-1703)
TAN PIETERSZOON SWEELINCK has been called the musical father of North Germany. A pupil of Uabrieli, he was influenced in his organ playing, as were organists all over Europe, by Frescobaldi, on whose principles and treatment of the organ, however, he impioved. He can, too, be shown to be the direct musical ancestor of Johann Sebastian Bach , in that his immediate successors, who were naturally influenced by Sweelinck, were the sources from which Bach drew his inspired treatment of the Choral.
Francois Roberday , a famous organist in Paris, was at one time court musician to QueenAnne of Austria and Queen Marie Thérèse. Lully was one of bis pupils.
Pierre du Mage was organist at the Collegiale de Saint-Quentin, 1703 to 1713, and in 1733 took part in the installation of the great organ at Notre Dame, Paris.

Contributors

Played By:
G. D. Cunningham
Unknown:
Johann Sebastian Bach
Unknown:
Francois Roberday

from
The Hospital Carnival in aid of the Queen Alexandra Memorial Hospital,
Weston-Super-Mare
Relayed from
GROVE PARK, WESTON-SUPER-MARE
NORMAN LONG
A Song, A Joke, and A Piano
ESTHER COLEMAN
Contralto
JOHNSON CLARK
The Sportsman Ventriloquist
ELSIE and DORIS WATERS
Entertainers
NOSMO KING and PARTNER
The Black-Faced Comedians
CLARICE MAYNE
Comedienne
H. C. BURGESS and ORCHESTRA will play during the programme
(From West Regional)

Contributors

Piano:
Esther Coleman
Contralto:
Johnson Clark

by LOUIS GOODRICH
LOUIS GOODRICH 'S episodic serial play continues with the pleasures and pains of a very nice modern young couple at a christening, Lord's and a nursing home. The young things are superhumanly, bright through all their ' breaks,' and their crisp dialogue leaves no time or attention for the cricket news while listening. Frederick Lloyd , who scored in last week's revival of ' To See Ourselves,' Ann Trevor , and Geoffrey Wincott are the chief names in an experienced radio cast.

Contributors

Unknown:
Louis Goodrich
Unknown:
Louis Goodrich
Unknown:
Frederick Lloyd
Unknown:
Ann Trevor
Unknown:
Geoffrey Wincott

National Programme Daventry

About National Programme

National Programme is a radio channel that started transmitting on the 9th March 1930 and ended on the 9th September 1939. It was replaced by BBC Home Service.

Appears in

About this data

This data is drawn from the Radio Times magazine between 1923 and 2009. It shows what was scheduled to be broadcast, meaning it was subject to change and may not be accurate. More