Camborne Town Band
Conductor, A. W. Parker
and forecast for farmers and shipping
A gramophone miscellany
Bible reading, with comment, by the Rev. Kenneth Grayston of Didsbury Methodist College, Bristol
2 Corinthians 4, vv. 7-17
and forecast for farmers and shipping
Talk by Gladys Mann
(BBC recording)
Felix King and his Orchestra
Piano Trio in E flat Op. 1 No. 1 - played by the Judy Hill Trio: Judy Hill (violin), Olga Hegedus (cello), Angela Dale (piano)
by a psychotherapist
We may think of the youngest child as the Benjamin or the spoilt darling. But he or she is not always to be envied and. when still a small child, needs special understanding love.
MUSIC AND MOVEMENT I, by Marjorie Eele
10.5 News commentary
Angel voices, ever singing (A. and M. 550)
New Every Morning, page 50 Canticle 2 St. Luke 4, vv. 14-30
May the grace of Christ our Saviour
(A. and M. 551)
Frank Weir and his Orchestra
Joe Loss and his Orchestra
and forecast for farmers and shipping
Reports from Britain and overseas
from a short story by J. Jefferson Farjeon adapted for broadcasting by Sidney W. Budd
3.15 app. A MATTER
OF ROUTINE'
A comedy for radio by Andrew McLeod
Plays produced by Raymond Raikes
with Derek Bond and Barbara Murray
A comedy of adventure in eight episodes by Max Kester
8—' Finishing Post '
Production by Vernon Harris
and forecast for farmers and shipping
by Joseph Harsch
from Belgium
The last of five concerts broadcast jointly by the radio organisations of Great Britain, France, Belgium, Holland, and Luxembourg
Frederic Anspach (tenor)
Charles Hens (organ)
Aimee van de Wiele
(harpsichord)
I.N.R. Choruses
(Conducted by Rene Mazy and Jan van Bouwel)
I.N.R. Symphony Orchestra
Conductor, Franz Andre
Johann Sebastian Bach
Prelude from Cantata No. 29: Wir danken dir Gott. for organ and orchestra
Motet No. 6: Lobet den Herrn, for chorus
Concerto in D minor, for harpsichord and orchestra
Two Songs:
Bist du bei mir
So oft ich meine Tabaks-Pfeife mit gutem Knaster angefiillt (A pipe-smoker's thoughts)
Chorale from Cantata No. 43 for
Ascension Day
Tonight's programme illustrates several aspects of Bach's genius: the exultation of much of his religious music is represented in the motet; the brilliance of his instrumental music in the concerto; the tender sentiment of some of his more intimate compositions in the songs. The whole Is appropriately framed by movements from two of the church cantatas.
The motet, ' Praise the Lord,' has words taken from Psalm 117. Much of the vocal writing consists of vigorous, swirling phrases, and it ends with a triumphant ' Hallelujah.'1 The Concerto in D minor is the best known and the finest of the seven harpsichord concertos by Bach. The two songs (which tonight are sung in French) come from the book compiled by Anna Magdalena , the composer's second wife. Bist du bei mir ' is well known, and is a singularly touching love-song. With the ' Edifying reflections of a smoker,' we encounter Bach in his domestic surroundings; and he characteristically compares the smoke and fire of his clay pipe, so soon burnt out, with the transitoriness of human existence.
Harold Rutland
