and summary of today's programmes for the Forces
Records of Essie Ackland (contralto)
Exercises for men
An interlude
A thought for today
The Rev. A. E. Howard
Details of some of today's broadcasts
A talk about what to cat and how to cook it, by* ' Mrs. Wilkes ' of ' The
Black Dog'
and his Band
at the theatre organ
Three old French dances: 1 Forlane ;
A topical magazine programme
News commentary and interlude
from p. 73 of ' New Every Morning ' and p. 64 of ' Each Returning Day'
played by Falkman and his Apache Band
11.0 Music and movement for juniors
Ann Driver
11.20 Current affairs
11.40 I Ysgolion Cymru
(For Welsh schools)
'Canmlwyddiant Joseph Parry ' gan D. E. Parry-Williams
Rhaglen ddramatig yn rhoddi syniad am hanes a gwaith y cerddor enwog a aned gan mlynedd i heddiw
(A dramatic interlude in Welsh)
Eight members of the A.F.S. oppose each other in some old parlour games, resurrected by Wilfred Pickles and presented by Robert Robinson
played by Arnold Richardson from a Midland town
Arnold Richardson , who was appointed the city organist of Wolverhampton in 1938, studied at the Royal Academy of Music, and also under G. D. Cunningham , the city of Birmingham organist, who has broadcast on many occasions. Richardson became organist of St. Alban's, Holborn, in 1936. In December, 1938, he played an organ concerto in the series of special recitals of Italian music conducted by Nadia Boulanger.
Leader, Jean Pougnet
Conductor, Leslie Bridgewater
1.50 Music-making
Ronald Biggs and a group of children from an elementary school
2.10 Interval music
2.15 General science: Food and health
' More about vitamins ' by Richard Palmer
2.35 Interval music
2.40 Junior English
Devised by Jean Sutcliffe
Two puppet plays: ' Jack Hannaford ' and ' The Dumb Wife '
played by Primo Scala 's Accordion Band, directed by Harry Bidgood
An Addison essay read, with a note about the author, by Eric Gillett
Leader, J. Mouland Begbie
Conductor, Guy Warrack
Gefalu am iechyd y plant
Sgwrs gan Feddyg
(A talk in Welsh)
A serial thriller
' The island in the mist' by Franklyn Kelsey
Part 3-' The departure from the island'
followed by National and Regional announcements
F. H. Grisewood brings to the microphone people in the news, people talking about the news, and interesting visitors to Britain
A weekly radio magazine for A.R.P., A.F.S., W.V.S., fire-watchers, and all other Civil Defence workers
Entertainment for and by the men and women who are guarding the homes of Britain
Editors, Bill MacLurg and Howard Thomas
3-1 The responsibility of the parent'
Mrs. T. W. Pym
Part 1
A fantastic opera in three acts, with a prologue and epilogue by Jules Barbier. English words by Edward Agate. Narration written and spoken by Dennis Arundell
Music by Jacques Offenbach
Prologue : Luther's Tavern, Nuremberg. Evening
Act I : A room in Spalanzani's house
(many years previously)
BBC Theatre Chorus
Trained by Charles Groves
BBC Theatre Orchestra
Leader, Tate Gilder
Conductor, Stanford Robinson
The opera produced by Stanford Robinson , in collaboration with Mark H. Lubbock
Part 2
Act II: In Venice
Decorated gallery in a palace overlooking the Grand Canal-night
Act III : In Venice. A room in Crespel's house. Late afternoon
Epilogue: Same scene and cast as the Prologue
by Winifred Carey from a short story by Susan Ertz
Produced by Howard Rose
Here is the story of Gracie Fuller , who, left alone in the Post Office and General Stores kept by her aunt in a small village, completely loses her head. But then circumstances are against her. The road is closed to traffic, and a gathering fog is ushering in the dusk. Her friend Beryl insists on keeping an appointment with her boy-friend. Her aunt, who has gone shopping in the nearest town, rings up to say she has missed the last bus and cannot get home until late. Then Gracie takes the fatal step which leads to all kinds of trouble and gives the play its apt title of Frenzy.
de orain aon-neach is drain caraid bho Ghillebeart MacPhail , agus
Mairead is Seonaid NicFhilib
(A Gaelic concert)
played by Antoni Sala (cello)
Gerald Moore (piano)
Antoni Sala was playing on the concert platform at the age of eleven, and while still in his teens he was appointed cellist to the Court at Madrid. In 1914 he went to America and after five years as a concert artist, suddenly gave up music altogether, and embarked on the open-air life of a farmer. But after three years of hard life, the claims of his abandoned cello were too strong to be resisted, and two months practice set him again in his rightful place as one of the great players of our time.
Gerald Moore is one of the first three or four finest accompanists in Britain.* At the same time he is a gifted solo pianist, but as such he is rarely heard except when playing sonatas with famous violinists and cellists.
A reading by Eric Gillett from an address given by Sir Walter Raleigh to the Royal Colonial Institute in 1918
and his Orchestra