Programme Index

Discover 11,128,835 listings and 280,249 playable programmes from the BBC

Mozart, arr Wendt Overture and excerpts (The Marriage of Figaro): Collegium
Musicum Pragense/Vajnar
7.08 Reicha Eighteen
Variations and a Fantasy on 'Se vuol ballare' (The Marriage of Figaro)
Jean-Pierre Rampal (flute) Isaac Stern (violin)
Mstislav Rostropovich (cello)
7.30 am News
7.35 Dvorak Overture:
Carnival
Czech PO/Karel Ancerl
7.44 Boccherini
Symphony in C, Op 21 No 3: I Solisti Veneti/ Claudio Scimone
8.08 Debussy La puerta del vino (Preludes,
Book 2): Jean-Francois Antonioli (piano)
8.12 Suk Fantastic Scherzo: Czech PO/ Jiří Belohlavek Records
Producer Patrick Lambert

Contributors

Flute:
Jean-Pierre Rampal
Violin:
Isaac Stern
Cello:
Mstislav Rostropovich
Unknown:
Claudio Scimone
Piano:
Jean-Francois Antonioli
Producer:
Patrick Lambert

with Richard Osborne.
Record Review
Building a Library:
Bach's 48 Preludes and Fugues by Nicholas Anderson. Robert Philip reviews John Eliot
Gardiner's new Idomeneo and German Requiem, and other Romantic choral music.
10.40 Record Release
Michael Haydn Symphony in G
(Introduction by Mozart, K 444)
London Mozart Players/ Jane Glover
10.54 Telemann Violin
Concerto in A minor
Collegium Musicum 90/ Simon Standage (violin)
11.03 Schiitz Three
Psalms of David
Choir of Trinity College, Cambridge; His Majesties Sagbutts and Cornetts/ Richard Marlow
11.20 John Eliot Gardiner talks to Richard Osborne about his new recordings and future projects.
11.46 Brahms
A German Requiem
Charlotte Margiono (sop) Rodney Gilfry (baritone) Monteverdi Choir
Orchestre Revolutionnaire et Romantique/
John Eliot Gardiner Records
Producers Nick Morgan and Kate Bolton
(Record Review is repeated on Wednesday at 2.00pm)

Contributors

Unknown:
Richard Osborne.
Unknown:
Nicholas Anderson.
Unknown:
Robert Philip
Unknown:
John Eliot
Unknown:
Michael Haydn
Unknown:
Jane Glover
Violin:
Simon Standage
Unknown:
Richard Marlow
Talks:
John Eliot Gardiner
Unknown:
Richard Osborne
Baritone:
Rodney Gilfry
Baritone:
Kate Bolton

Piano duo Nettle and Markham talk to
Chris de Souza about their particular art of musical synchronisation, and play a colourful programme ranging from Mendelssohn to Bernstein.
Producer Sarah Devonald

Contributors

Unknown:
Chris de Souza
Producer:
Sarah Devonald

A week in the arts with Christopher Cook.
Reviews: Exhibitions -
Tate Gallery: John Constable ; Royal
Academy: The Fauve
Landscape; Hayward
Gallery: Richard Long. Opinions: Louisa Buck , Richard Francis.
Feature: Toujours Pagnol: marketing the French countryside.
Argument: Fraser Harrison : Rural Rides 1991.
Producers John Boundy and Beaty Rubens

Contributors

Unknown:
Christopher Cook.
Unknown:
John Constable
Unknown:
Richard Long.
Unknown:
Louisa Buck
Unknown:
Richard Francis.
Unknown:
Fraser Harrison
Producers:
John Boundy

Opera in four acts by Mozart to a libretto by Lorenzo da Ponte based on Beaumarchais's play. (1789 version, sung in Italian)
Mark Tatlow (harpsichord) Drottningholm Court Theatre Chorus and Orchestra/Arnold Ostman Acts 1 and 2 8.45 Brian Trowell considers Mozart's revisions for the 1789 Vienna revival of The
Marriage of Figaro.
9.00 Acts 3 and 4 Records

Contributors

Harpsichord:
Mark Tatlow
Harpsichord:
Brian Trowell
Count Almaviva:
Hakan Hagegard (bantone)
Countess Almaviva:
Arleen Auger (soprano)
Susanna:
Barbara Bonney (sop)
Figaro:
Petteri Salomaa (bar)
Cherubino:
Alicia Nafe (mezzo)
Mareellina:
Della Jones (mezzo)
Dr Bartolo:
Carlos Feller (bass)
Don Basilio:
Edoardo Gimenez (tenor)
Don Curzio:
Francis Egerton (ten)
Barbarina:
Nancy Argenta (sop)
Antonio:
Enzo Florimo (bass)
Two girls:
Viveka Anderberg (soprano)
Two girls:
Maria Hoglind (mezzo)

BBC Radio 3

About BBC Radio 3

Live music and the arts: broadcasts more live music than any other radio network. Classical music is its core. Genres include world and new music, jazz, speech and drama.

Appears in

About this data

This data is drawn from the Radio Times magazine between 1923 and 2009. It shows what was scheduled to be broadcast, meaning it was subject to change and may not be accurate. More