Corrette Organ Concerto in c, Op 26 No 4
FRANCOIS-HENRI IIOUBART CHAMBER ORCHESTRA directed by BERNARD THOMAS
8.15* Charpenller
Intermezzo (Le manage force): LES ARTS
Florissants, directed by WILLIAM CHRISTIE
8.22* C. P. E. Bach Oboe Concerto in E flat: HEINZ HOLLIGER, GENEVA A BAROQUE ORCHESTRA, conducted by JEAN-MARIE AUBERSON
8.43* J. S. Bach, arr
Stokowski Passacaglia and Fugue in c minor (bwv 592) SYDNEY SYMPHONY ORCHESTRA conducted by ROBERT PIKLER : records
with Paul Vaughan Building a Library:
Chopin Waltzes , by BRYCE MORRISON ; The Stylus
Story: an interview with DONALD ALDOUS ; New opera records reviewed by JOHN STEANE.
Producer ARTHUR JOHNSON
Donizetti L'elisir d'amore (Act 2, Scene 5 to end)
MUNICH RADIO CHORUS AND ORCHESTRA, conducted by HEINZ WALLBERG : records
direct from the Royal Festival Hall, London
Richard Markham (piano) London Mozart Players leader JOHN GLICKMAN
Introduced and conducted by Christopher Seaman Rossini Overture: The Thieving Magpie
Mozart Piano Concerto No 19. in f major (K 459) (first movement)
Gordon Jacob Old Wine in New Bottles: Four old English folk tunes arranged for wind instruments
Haydn Symphony No 100, In G (Military)
GABRIELI STRING QUARTET
BrlttenThree Divertimenti (1936)
Walton Quartet in A minor (1947)
(Given last June during the Aldeburgh Festival, in association with the Montpellier Music and Video Company Ltd)
BBC Birmingham
An 11-part series
3: Sacred Music from seville
Introduced by Bruno Turner
Music by two Maestros de Capilla at Seville
Cathedral -
Francisco Guerrero (1528-99) and his pupil Alonso Lobo (c 1555-1617).
Guerrero Regina caell laetare; 0 Domine Jesu
Christe Lobo Ave Regina caelorum: 0 quam suavis; Vivo ego; Quam pulchrl sunt
Guerrero 0 altltudo divltlarum; Surge propera arnica mea
WESTMINSTER CATHEDRAL choir, Master of Music STEPHEN CLEOBURY
ANDREW WRIGHT (organ) ANDREW VAN DER BEEK (bass dulcian)
An enormous number of major works were composed In the 1880s: Strauss and Wolf began their careers; Verdi resumed his; and Wagner, Liszt and Duparc wrote their last works. Rimsky-Korsakov, Tchaikovsky, Bruckner, Dvorak and Brahms were in full flood. Rlmsky-Korsakov
Russian Easter Festival
Overture: CHlCACO SYMPHONY ORCHESTRA, conducted by DANIEL BARENBOIM
2.42* Bruckner Te Deum SOLOISTS. CHORUS OF THE DEUTSCHE OPER, BERLIN BERLIN PHILHARMONIC
ORCHESTRA. conducted by EUGEN JOCHUM
3.5* Wagner Good Friday Music (Parsi/al) (mono) BERLIN PHILHARMONIC
ORCHESTRA, conducted by WILHELM FURTWANGLER
3.32* Dvorak Piano Quintet in A
CLIFFORD CURZON, VIENNA PHILHARMONIC QUARTET
4.18* Strauss Horn
Concerto No 1. in E flat (mono): DENNIS BRAIN
PHILIMRMONIA ORCHESTRA conducted by ALCEO GALLIERA
4.47* Brahms Academic Festival Overture
PHlLHARMONIA ORCHESTRA conducted by OTTO KLEMPERER with songs by Duparc and Wolf. excerpts from operas by Massenet. Verdi and Sullivan, ballet music by Tchaikovsky, piano pieces by Faure and Liszt and Elgar's Salut d amour. gramophone records
Producer PETER TANNER
with Peter Clayton
William Feaver (in the Chair) talks with Michael Billlngton. Peter Porter and Margaret Walters.
Robert Benton 's film Still of the Night; a programme on the Bombay film industry in the Radio 3 series India: A Cacophony of Cultures; Coal: British Mining in Art 1680-1980 at the Science Museum. London: Strindberg's Miss Julie at the Lyric Studio,
Hammersmith; and The Life of John Milton by A. N. Wilson.
Producer PHILIP FRENCH
Two of Hanns Eisler 's cantatas of political
Protest from the 1930s; a set of Webern songs from 1917-21; and a recent work by Nigel Usborne on a poem by D M. Thomas about the failure of Freud and Jung to meet in May 1912.
Eisler Kantate im Exil
Webern Six Lieder, Op 14 Osborne Vienna, Zurich,
Lonstance (first broadcast Performance) fcisler Die romische
Kantate: MARGARET FIELD (soprano), GEMINI director PETER WIEGOLD
leader BELA DEKANY conductor
Sir John Pritchard
Walter Klien (piano) direct from the Barbican Centre, City of London The last in this cycle of concerts of the choral, orchestral and chamber music of Mozart and Schubert
Schubert Symphony No 5, in B flat
Mozart Piano Concerto No 24. in c minor (K 491)
It there's another world I shall certainly go and see Montesquieu. He may say, ' My dear fellow you had no talent at all.' I shall be vexed but not in the least surprised.
Geoffrey Strickland of Reading University, reflects on the qualities which allowed Stendhal to write for posterity.
Part 2 Mozart Symphony No 41, in c (Jupiter)
(K 551)
In which different interpretations on gramophone records are compared.
Alan Blyth examines the role of Werther in Massenet's opera as recorded by FERNAND ANSSEAU , JOSE CARRERAS ,EDMOND CLEMENT , PLACIDO DOMINGO ,CHARLES FRIANT , NICOLAI GEDDA , ALFREDO KRAUS ,
ALFRED PICCAVER. TITO SCHIPA , GEORGE THILL , and others.
SIMON STANDAGE (violin) ANTHONY PLEETH
(violincello), TREVOR PINNOCK (harpsichord)
Muffat Sonata in D major for violin and continuo Bach Sonata in G minor for solo violin (bwv 1001) Vivaldi Sonata in D major for violin and continuo (Rv 755) \ Biber Sonata
Representativa In A major Leclair Sonata in c major, Op 5 No 10
(Given in November 1980 at the Wiomore Hall, London)
