Comprehensive forecast for UK land areas and inshore waters
Glinka Overture: A Life for the Tsar
SUISSE ROMANDE ORCHESTRA conducted by ERNEST ANSERMET
Bruch Romance for viola and orchestra RAINER MOOG RHENISH STATE
PHILHARMONIC ORCHESTRA conducted by WOLFGANG BALZER
Pizzetti (born 20 September 1880) Suite: La Pisanella
SUISSE ROMANDE ORCHESTRA conducted by LAMBERTO GARDELLI
Strauss Introduction and Waltzes (Der Rosenkavalier, Act 3)
LONDON PHILHARMONIC
ORCHESTRA conducted by NORMAN DEL MAR gramophone records
Edited and introduced by John Lade
Building a Library: Schu mann 's Fantasy in c, Op 17. by JOAN CHISSELL.
New orchestral records, reviewed by NOitL GOODWIN.
Producer ARTHUR JOHNSON
Myaskovsky Andante serioso e pictoso (Two pieces for string orchestra): MOSCOW RADIO SYMPHONY ORCHESTRA conducted by VERONIKA DUDAROVA
Strauss An Alpine Symphony: BAVARIAN RADIO SYMPHONY ORCHESTRA. COnducted by SIR GEORG SOLTI gramophone records
SUN LIFE STANSHAWE BAND conducted by WALTER HARGREAVES
Philip Sparke Concert Overture: The Prizewinners
Henry Geehl Oliver Cromwell gramophone record
A series in which speakers from many walks of life, musical and non-musical, are invited to introduce some of their favourite music. This week the philosopher, Richard Hare gramophone records
played by the VERMEER STRING Qt'ARTET
Mozart Quartet in d (K 575)
Debussy Quartet in c minor
BBC Birmingham
BBC NORTHERN SYMPHONY ORCHESTRA, leader
DENNIS SIMONS conducted by GÜNTHER HERBIG
Bruckner Symphony N» 8, in c minor
Introduced by Julian Bream
Allison De la tromba pavan; Allisons knell
Dowland My Lord Willoughby's Welcome Home Philips Pavan
Anon Spagnotetta and Ballo di Mantua
Morley Sacred End pavan Daniel Bacheler Daniel's almaine
Luis de Narvaez Cancion del emperador
Allison Goe from my win. dow
Gibbons Viol fantasy
Dowland Lachrimae pavan Luis de Narvaez Ya se asiente el ray Ramiro Morley Joyne handes
Allison The batchelar's delight
BBC Birmingham
(piano)
Schumann Sonata in p minor. Op 14. including the scherzo from the first version
Introduced by Peter Clayton
A weekly discussion on cinema, theatre, books, broadcasting and the visual arts
John Spurting (in the Chair) talks with James Fenton. Gillian Reynolds and J. G. Weightman.
played and introduced by Peter Hurford
Organ of Knox Grammar School, Sydney, Australia
Prelude and Fugue in c major (bwv 545); Sonata iv. in E minor (Bwv 528); Prelude and Fugue in A minor (bwv 551); Concerto in G (Bwv 592)
A short storv written and read by John Wain followed by an interlude
Oratorio by Haydn
Words by GIOVANNI GASTONE BOCCHERINI, based on The Book of Tobit
(first UK performance in the original Italian)
BRIGHTON FESTIVAL CHORUS director LASZLO HELTAY
ROYAL PHILHARMONIC ORCHESTRA, leader BARRY GRIFFITHS.
Continuo: DAVID STRANGE (cello), JACK MCCORMACK (double-bass) conducted by ANTAL DORATI (harpsichord continuo)
Part 1
The visible commotion of its inmates no more gives humanity to a building than the wriggle of worms gives vitality to a corpse. Why is modern architecture so often referred to as soulless? Dr Roger Scruton. Fellow of Birkbeck College, London. argues that the recent emphasis on the horizontal style in architecture fails to take account of how we understand and appreciate buildings.
Part 2
(A public performance given in December last year at the Royal Festival Hall, London, in association with Kodak Ltd)
by Aaron Copland
CELIA NICKLIN (cor anglais) MICHAEL LAIRD (trumpet)
ACADEMY OF ST MARTININ-THE-FIELDS, conducted by NEVILLE MARRINER : record
