Weather
Corelll Concerto Grosso in C minor, Op 6 No 8: MUSIC
7.23- Handel Organ Concerto No 8, in A, Op 7 No 2 SIMON PRESTON
MENUHIN ORCHESTRA conducted by YEHUDI MENUHIN
7.36* Brunettl Symphony No 23, in F: MILAN ANCELICUM ORCHESTRA, conducted by NEWELL JENKINS : records
Weather
Berlioz Overture: The Corsair ROYAL PHILHARMONIC ORCHESTRA conducted by SIR THOMAS BEECHAM
8.14* Strauss Symphonic Poem: Aus Italien
DRESDEN STATE ORCHESTRA conducted by RUDOLF KEMPE gramophone records
Weather
Chopin
Piano Trio in G minor BEAUX ARTS TRIO
9.36* Scherzo No 2, In a flat minor
ARTURO BENEDETTI MICHELANGELI gramophone records
The third of a series of flra programmes in which the Allegri String Quartet play chamber music by Mozart ALLEGRI STRING QUARTET, Hugh Maguire (violin) David Roth (violin)
Patrick Ireland (viola) Bruno Schrecker (cello) with NEIL BLACK (Oboe)
Quartet in A (k 464)
Oboe Quartet in r (K 370)
10.40*Interval Reading
10.50- Mozart Part 2
Quartet In D (K 499)
plaved by PETER-LUKAS GRAF and NICHOLAS KRAEMER
C. P. E. Bach Sonata in D major (Wq 83)
Telemann Fantasia No 3, in 1 minor, for solo flute
Leffloth Concerto in D major
Telemann Fantasia No 8, in D minor, for solo ftute
J. S. Bach Sonata In I flat major (BWV 1031)
WALTER KLIEN (piano)
VIENNA SYMPHONY ORCHESTRA conducted by HEINZ WALLBERG
Theodor Berger Rondo Ostinato on a Spanish theme, for wind orchestra and percussion
Beethoven Piano Concerto No 2, In B flat
Weather
A weekly news bulletin of events in the arts abroad. (Repeated: Wed 8.25 pm)
Part 2
Strauss Suite: Le bourgeois gentilhomme
(Austrian Radio recording)
MARIKA PAPAIOANNOU
Busoni Sonatina seconds
Skalkottas Fifteen little varia. tions; Klavierstiick (Variations on a theme of Berg)
Vorlsek Fantasia. Op 12
Hans Werner Henze Violin Concerto No 2, for violin solo, bass-baritone and 33 instruments
Ladlslav Kupkovlc Carvone Slaciky for string orchestra
Wolfgang Fortner Versuch eines Agon um ... ? : operetta for vocal group and orchestra
(first broadcasts in this country of the works by Kupkovic and Fortner)
BRENTON LANGBEIN (violin)
WILLIAM REIMER (bass-baritone) CHARLOTTK LEHMANN (SOpranO) LUTZ RAINER (baritone)
HELMUT KRETSCHMAR (tenor)
CARL-HEINZ MÜLLER (baritone)
KARL.HEINZ PINHAMMER (baritone) BARR PETERSON (bass)
BAVARIAN RADIO SYMPHONY
ORCHESTRA conducted by LADISLAV KUPKOVIC (Recording made available by courtesy of Bavarian Radio)
Excerpts from Diderot's Dialogue
Adapted for radio from L.W. Tancock's translation by Christopher Hogwood, who also introduces the programme
Music by Rameau, Galuppi and Duni performed by Nigel Rogers (tenor) Catherine Mackintosh (baroque violin) Eleanor Sloan (baroque violin) Christopher Hogwood (harpsichord) Jane Ryan (viola da gamba)
The best of present-day jazz on records.
Introduced by Charles Fox
with David Munrow
The growth of the orchestra In 17th-century Italy. and its strange mixture of instruments.
A two-part sequence of music for the early evening
Weather
(continued)
Work and Training
6.30 Who Manages?
Six programmes which examine the changing nature and practice of management - through the views both of managers and employees. Presented by DR STUART TIMPERLEY , Lecturer in Organisational Behaviour and Manpower Studies, London Business School.
4: Key Roles in Management
7.0 Teaching Adults to Read 6: Spelling Difficulties
Reading and writ- ing go hand in hand - an examination of ways of tackling spelling problems.
Presented by RUTH LESIRGE
(BBC Adult Literacy Handbook £1.10. from bookshops. To
help an adult learn to read, write to: [address removed])
led by ROBERT ST JOHN WRIGHT conducted by RUDOLF SCHWARZ MICHAEL ROLL (piano) Part I
Mendelssohn Overture: Calm sea and prosperous voyage
7.44* Grieg Piano Concerto in A minor
Three Englishmen who grew up in working-class society, in three different areas between 1920 and 1960, reflect on these worlds of their childhood in the light of the world of today.
1: A Very Deep Life
Ray Gosling talks about growing up in the Midlands in the 40s and 50s.
Part 2
Schubert Symphony No t. In e
The works Bach wrote during the last period of his life (they are, it is now realised, very few in number) are largely concerned with abstract problems of composition.
BASIL LAM discusses The Musical Offering as a paradigm of this last phase in Bach's artistic development. followed by an Interlude
Another programme in which the Identity of each work is announced only after it has been heard
Apologies by ROBERT SIMPSON
An orchestral work, and a work for soprano and orchestra on gramophone records
Weather
