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Johann Strauss Russian March VIENNA PHILHARMONIC ORCHESTRA conducted by WILLI BOSKOVSKY
7.9* Salnt-Saens Piano Concerto No 4. in c minor PHILIPPE ENTREMONT PHILADELPHIA ORCHESTRA conducted by EUGENE ORMANDY
7.35* Rossini Una voce poco fa (The Barber of Seville): MARIA CALLAS. PHILHARMONIA ORCHESTRA conducted by ALCEO GALLIERA
7.42* Smetana Symphonic Poem: Vysehrad (Ma vlast) BOSTON SYMPHONY ORCHESTRA conducted by RAFAEL KUBELIK gramophone records
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Arne Overture No 4, in F
ENGLISH CHAMBER ORCHESTRA directed by EMANUEL HURWITZ
8.13* Quantz Flute Concerto in G JEAN-PIERRE RAMPAL
MUSICA ANTIQUA ORCHESTRA conducted by JACQUES ROUSSEL
8.29* Couperin L'Espagnole (Lesnations): JACOBEAN ENSEMBLE directed by THURSTON DART gramophone records
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C. P. E. Bach
Berlin and Potsdam
Trio-Sonata in f major (Wq. 163): HANS-MARTIN LINDE (bass recorder). EMIL SEILER (viola), KLAUS STORCK (cello)
RUDOLF ZARTNER (harpsichord)
9.16* Sonata in E major (Wq 48, (Prussian Sonata No 3)
GUSTAV LEONHARDT (harpsichord)
9.28* Concerto in E major (Wq 14)
TREVOR PINNOCK (harpsichord) directing the ENGLISH CONCERT gramophone records
The fourth of a series of five programmes in which the Allegri String Quartet play chamber music by Mozart ALLEGRI STRING QUARTET with THEA KING (clarinet)
Quartet in c (Dissonance) (k 465)
Clarinet Quintet in A (K 581)
R. W. Burchfield
Part 2: Quartet in D (k 575)
for Voice and Harpsichord
PAUL ESSWOOD (counter-tenor) TREVOR PINNOCK (harpsichord)
Purcell Music for a while (Oedipus): If music be the food of love; Not all my torments; Ah! How sweet it is to love; Sweeter than roses (Pausanias): An Evening Hymn Carlssimi Viltoria. mio cuore Caceini Amarilli , mia bella
Alessandro Scarlatti Gia il sole dal Cange: Le Violette
VALERIE TRYON (piano) BBC CONCERT ORCHESTRA leader ARTHUR LEAVINS conductor ASHLEY LAWRENCE
Geoffrey Bush Overture: Yorick Tchaikovsky Piano Concerto No 1. in B Bat minor
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A weekly news bulletin of events in the arts abroad.
(Repeated: Wednesday 8.5 pm)
Part 2
Mozart Adagio and Fugue In c minor (K 546)
Bizet Suite No 3 (Roma)
The Matrix
Jane Manning (soprano)
Alan Hacker, Tony Coe, Francis Christou (clarinets)
Jennifer Ward Clarke (cello) Robin McGee (bass)
Oliver Knussen Trumpets (first broadcast performance)
Harrison Birtwistle Linoi (first broadcast performance of this version)
David Lumsdaine My Sister's Song (first broadcast performance)
Morton Feldman Voice and Instruments II (first broadcast performance)
George Newson My Dancing Days are Over (first broadcast performance of this version)
directs the BOSKOVSKY and VIENNA MOZART ENSEMBLES
Schubert Eight Waltzes and Landier
3.13* Mozart Eine kleine Nachtmusik
3.30* Dance music by Johann Strauss, Mayer, Haydn and Schubert
3.48* Lanner Abendsterne Waltzes. Op 180 gramophone records
from Stonyhurst College. Lancashire
PHILIP JONES BRASS ENSEMBLI
Giles Farnaby. transc Howarth Fancies, Toyes, Dreames
4.2* Addison Divertimento for brass quartet Thomas Crequillon Canzon Scnfl Lamentatio. Carmen
Vecchi Saltarello Agricola Carmen
Gabriel! Canson per sonar
4.19* Richard Rodney Bennett Commedia IV for brass quintet
4.33' Scheldt Battle Suite
Charles Fox with records
with David Munrow
The expansion of the 19th-century orchestra at the hands of Berlioz and Meyerbeer.
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(continued)
Work and Training
6:30 Who Manages?
Six programmes which examine the changing nature and practice of management. Presented by DR STUART TIMPERLEY , Lecturer in Organisational Behaviour and Manpower Studies, London Business School.
5: New Directions in Management
7.0 Teaching Adults to Read 7: Planning and Evaluation
Planning and evaluation as an Integral part of teaching and learning.
Presented by RUTH LESIRGE
(BBC Adult Literacy Handbook, £ 1.10, from bookshops. Volunteers, write to; [address removed]
LINDA ESTHER GRAY (soprano) KENNETH COLLINS (tenor)
DONALD BELL (bass-baritone) HALLE CHOIR chorus-master RONALD FROST HALLE ORCHESTRA leader MICHAEL DAVIS conducted by JOHN PRITCHARD
Mozart Symphony No 41. in c (Jupiter) (K 551)
Mozart Aria: Ah. lo previdi (K 272)
Three Englishmen who grew up in working-class society, in three different areas between 1920 and 1960, reflect on these worlds of their childhood in the light of today's world.
2: A Great Preamble into Nothing
Ray Gosling talks about growing up in the Midlands in the 40s and 50s.
Part 2 Rachmaninov
Choral Symphony: The Bells
(A public concert recorded in the Free Trade Hall, Manchester, en 16 March)
The Fixed Smile
A comedy by JENNIFER PHILLIPS with Liane Aukin as Molly Anne Stallybrass as Chris and Nigel Lambert as the Radio Voices
CHRIS: What does he say?
MOLLY: Oh, very little. He seems to distrust words so much he only uses them to lie.
CHRIS: But I'm still searching for a really honest relationship, aren't you, Molly?
MOLLY: His only heroes are Tom and Jerry. I have to pretend they're mine too or I'd appear gauche. Maturely gauche at that. I'm older than him, you see.
CHRIS: And where does that leave you?
MOLLY: Leaves me with a terrific sense of my own identity. Two emancipated women discuss their roles in life and their lovers.
Producer RICHARD WORTLEY (RpO
born 1900
Symphonic Elegy (In memoriam Anton Webern ), for string orchestra
SAAR RADIO SYMPHONY ORCHESTRA conducted by MICHAEL GlELEN (Saar Radio recording)
Crisis or climacteric? - is the question Lord Ashby answers in a shortened version of this year's Fawley Lecture, in which he reflects on the present and future material problems of mankind.
In the first of two programmes, BERNARD KEEFPE discusses the work of the German conductor Leo Blech and illustrates it with excerpts from his recordings of music by Mendelssohn. Tchaikovsky and Wagner.
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