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Molter Clarinet Concerto in G:
JOST MICHAELS MUNICH CHAMBER ORCHESTRA conducted by HANS STADLMAIR
7.20* Vivaldi Concerto in c minor, for cello, string orchestra and continuo (p 434)
KENNETH HEATH; ACADEMY OF ST MART1N-IN-THE-FIELDS conducted by NEVILLE MARRINER
7.34* Torelli Sonata a cinque No 7. in DON SMITHERS (trumpet); ACADEMY OF ST MARTIN-IN-THE-FIELDS conducted by NEVILLE MARRINER
7.41* Telemann Suite for string orchestra (La Lyra) CONCERTO AMSTERDAM conducted by FRANS BRÜGGEN gramophone records
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conducted by LEOPOLD STOKOWSKI Kimsky Korsakov Russian Easter Festival Overture
CHICAGO SYMPHONY ORCHESTRA
8.21* Mussorgsky, orch Stokowski Pictures from an Exhibition NEW PHILHARMONIA ORCHESTRA
8.50' Tchaikovsky Marche slave LONDON SYMPHONY ORCHESTRA gramophone records
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Dvorak
Quartet in F major, Op 96 GABRIELI STRING QUARTET
9.30* Bagatelles, Op 47 MEMBERS OF THE
BERLIN PHILHARMONIC OCTET gramophone records
Last of 15 programmes
Chausson Poeme, Op 25 - David Oistrakh (violin), Moscow Radio Symphony Orchestra, conducted by Gennadi Rozhdestvensky
Franck Symphonic Poem: Psyche - Czech Philharmonic Chorus, Prague Symphony Orchestra conducted by Jean Fournet
(gramophone records)
CHOEUR NATIONAL UNIVERSITAIRE conductor BENOIT RENARD sing music by Victoria, Cererols, Bruckner, Banchieri, Kodaly, Costeley, Lassus, Jannequin, and Plançon
by NICOI.A GEBOLYS
Chopin Barcarolle in F sharp major. Op 60; Nocturne in D flat major, Op 27 No 2
11.40* Ravel Sonatine
GERAINT EVANS (baritone) BBC WELSH ORCHESTRA leader COLIN STAVELEY conducted by HUGO RIGNOLD
Mozart Overture: Don Giovanni
12.3* William Mathias Elegy for a Prince (first broadcast performance) conducted by THE COMPOSER
12.21* Beethoven Symphony No 5. in c minor
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Stanford Quartet No 7, in c minor (first broadcast performance)
Bliss Quartet No 1, in B flat ALBERNI STRING QUARTET
Symphony No 2 (Le double)
NETHERLANDS RADIO PHILHARMONIC
ORCHESTRA conducted by JEAN FOURNET
(Netherlands Radio recording)
BBC SINGERS conductor JOHN POOLE
ALAN HARVERSON (Organ)
Introduced by RHIANNON LLOYD
Part 1: music by Victoria, Frescobaidi, Poulenc, Hoddinott, and works by Grace Williams and David Wynne commissioned by the festival in association with the Welsh Arts Council
3.35* Music Festivals: Necessary or Evil? - a talk by EVERETT HELM
3.55* North Wales Music Festival 1973
Part 2: Music by Kerll, Brahms, Mathias and Britten (A concert in St Asaph Cathedral, on 28 Sept 1973, in conjunction with the North Wales Association for the Arts)
HIRO IMAMURA (piano)
Beethoven Sonata in E, Op 109 Prokofiev Visions fugitives, Op 22 Nos 1, 11, 14, 17
with David Munrow Paris as a centre for good food through the ages: music from the time of the first café, cabaret and theatres,
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(continued)
6.30 Workface Europe
A 12-part case-study in industrial relations 2: Sizing up
Astley's take stock of themselves and their new German partners: the comparisons are not altogether comforting
7.0 The Real Responsibilities of Scientists
Six programmes presented by R. W. REID
2: The Craft of Science
Scientists involved in research discuss the nature of their work, the satisfactions they derive from it, and the role of scientific enquiry in society.
Quartet in D major, Op 71 No 2 Quartet in B flat major, Op 76 No 4 (The Sunrise)
GABRIELI STRING QUARTET
Voices
(first performance)
ROSE TAYLOR (mezzo-soprano) PAUL SPERRY (tenor) LONDON SINFONIETTA conducted by THE COMPOSER
All except one of these 22 songs were written in the first six months of last year.
Hans Werner Henze 's choice of poems and the order in which they are arranged reflect his personal political perspectives and emotional involvement, and it is this perspective and these feelings which give the cycle its cohesion, rather than any narrative or musical structure.
9.20* Reading
9.30* Voices Part 2
(A London Sinfonietta concert at the Queen Elizabeth Hall , London, on 4 January)
Thirteen programmes compiled by PETER PORTER and ANTHONY THWAITE
Since W. H. Auden edited the Oxford Book cf Light Verse in the late 1930s, the concept of poetry as involving the occasional, the comic and the witty as well as the densely serious has been more and more widely accepted. This series aims to chart the development of these strains in English verse since the late 17th century.
3: George Gordon , Lord Byron (1788-1824); Thomas Love Peacock (1785-1866); Thomas Hood
(1799-1845): Winthrop Mackworth Praed (1802-1839)
Introduced by PETER PORTER Readers ELIZABETH PROUD and GARY WATSON
Producer GEORGE MACBETH
followed by an interlude
COLLEGIUM SAGITTARII director DEREK MCCULLOCH
Schutz, after A. Gabrieli Der Engel sprach zu den Hirten Grandi Lilia convallium
Schutz. arr Kittel 0 siisser Jesu Christ Schutz, arr Diiben Herr, nun lassest du deine Diener (Nunc dimittis)
Weckmann Gegriisset seist du, Holdselige
Bernhard Aus der Tiefen
Schutz Vater Abraham, erbarme dich mein
(The Royal Musical Association Conference Concert in Holy Trinity Church, Prince Consort Road, London, on 6 April 1973)
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