Programme Index

Discover 11,128,835 listings and 275,012 playable programmes from the BBC

Sammartini Sinfonia No 13, in G CAMDEN CHAMBER ORCHESTRA conducted by JOHN LUBBOCK
Giovanni Gabrieli Canzona a 7 STUTTGARY CHAMBER ORCHESTRA conducted by KARL MÜNCHINGER Cimarosa Concerto in G, for two flutes and orchestra
ROBERT DOHN , HELMUT STEINKRAUS WURTTEMBERGCHAMBERORCHESTRA conducted by JORG FAERBER
Boccherini Symphony in c minor
ROSSINI ORCHESTRA OF NAPLES conducted by FRANCO CARACCIOLO
8.0
News; Weather
Morning Concert: part 2
8.5 Dvorak Overture: Carnival LONDON SYMPHONY ORCHESTRA conducted by ISTVAN KERTESZ
Saint-Saens Piano Concerto No 1, in D: ALDO CICCOLINI THE PARIS ORCHESTRA conducted by SERGE BAUDO
Glazunov Symphonic Poem: Stenka Razin
PHILHARMONIA ORCHESTRA conducted by ANATOLE FISTOULARI gramophone records

Contributors

Conducted By:
John Lubbock
Conducted By:
Giovanni Gabrieli Canzona
Unknown:
Robert Dohn
Unknown:
Helmut Steinkraus
Conducted By:
Jorg Faerber
Conducted By:
Franco Caracciolo
Conducted By:
Istvan Kertesz
Unknown:
Aldo Ciccolini
Conducted By:
Serge Baudo
Conducted By:
Anatole Fistoulari

Morley, Dowland,
Gibbons Morley Thyrsis and Milia; I saw my lady weeping; With my love my life was nestled PETER PEARS (tenor) JULIAN BREAM (lute)
9.14* Gibbons Galliard in c: Almain in c; The woods so wild; Lady Hatton's Galliard; French Air; French Atmain; Welcome home
THURSTON DART (harpsichord)
9.30* Dowland Four Pavans (Lachrimae)
SCHOLA CANTORUM BASILIENSIS directed by AUGUST WENZINGER (viola da gamba) gramophone records

Contributors

Unknown:
Gibbons Morley Thyrsis
Unknown:
Gibbons Galliard
Directed By:
August Wenzinger

DUNCAN ROBERTSON (tenor) ANN GRIFFITHS (harp)
RONALD STEVENSON (piano)
Stevenson Nine Japanese Haiku, for tenor and harp (first performance: commissioned by the West Midlands Arts Association)
10.48* Francis George Scott Five songs to words by Hugh MacDiarmid
10.58' Stevenson Five songs to words by Hugh MacDiarmid
11.12* Stevenson Duo Sonata, for harp and piano (first broadcast performance)
(Part of a concert held at Bromsgrove College of Further Education on 2 May 1971)

Contributors

Harp:
Ann Griffiths
Unknown:
Francis George Scott
Unknown:
Hugh MacDiarmid
Unknown:
Hugh MacDiarmid

played by PETER HURFORD at the organ of New College, Oxford ‡ Chorale Prelude on Aus tiefer Not schrei ' ich zu dir (s 686) Trio-Sonata No 5. in c
Chorale Prelude on Sei gegriisset, Jesu giitig (s 768)

Contributors

Played By:
Peter Hurford

BBC NORTHERN SYMPHONY ORCHESTRA conducted by MOSHE ATZMON Part 1
Brahms Tragic Overture
12.32* Haydn Symphony No 100, in G major (Military)
1.0
News; Weather
1.5 The Concert Interval
ALEXANDER GOEHR talks to JOHN amis about his father - the conductor Walter Goehr.
1.20. Midday Prom: part 2
Schubert Symphony No 8 in B minor (Unfinished)
1.45* Wagner Prelude to Act 3; Dance of the Apprentices; Prelude to Act 1 (The Master-singers)
(Before an invited audience in the Town Hall, Manchester)

Contributors

Conducted By:
Moshe Atzmon
Talks:
Alexander Goehr

HEATHER HARPER (soprano) HELEN WATTS (contralto) JOHN WAKEFIELD (tenor)
JOHN SHIRLEY-QUIRK (baritone) RALPH DOWNES (organ)
LESLIE PEARSON (harpsichord) JOHN ALLDIS CHOIR
LONDON SYMPHONY CHOIR AND ORCHESTRA conducted by COLIN DAVIS gramophone records Part 1

Contributors

Soprano:
Heather Harper
Contralto:
Helen Watts
Tenor:
John Wakefield
Baritone:
John Shirley-Quirk
Baritone:
Ralph Downes
Harpsichord:
Leslie Pearson
Harpsichord:
John Alldis
Conducted By:
Colin Davis

6.30 Amid, buona sera! (medium wave)
(Monday's broadcast) 7.0 pm Opera in the Making (medium wave)
WILLIAM MURPHY examines the complex art of opera 5: Visiting Cards
Wagner, Verdi and Strauss each made use of the musical motif to reinforce and comment on the stage action; but this is only one constituent of 19th-century romantic opera. Producer DAVID EPPS

Contributors

Unknown:
William Murphy
Producer:
David Epps

'The Oz appeal has reinforced the feeling that obscenity cases are untriable ' (The Guardian). A discussion between MICHAEL HAVERS. qc, mp, until recently Recorder of Norwich: and RONALD DWORKIN , Professor of Jurisprudence at Oxford
Michael Havers is chairman of a group of Conservative Mps which recently proposed a law to create two new offences: Public indecency and obscenity. Pofessor Dworkin, a defence witness in the Oz trial, has written: ' The criminal law is a Clumsy device of social regulation ... It is time to consider whether we gain more than we lose by assigning
Obscenity to the criminal code.'

Contributors

Unknown:
Michael Havers.
Unknown:
Ronald Dworkin

(violin)
LONDON MOZART PLAYERS leader TREVOR Williams conductor HARRY BLECH
Schubert Overture in c major (In the Italian style)
Mendelssohn Violin Concerto jaint-Saens Introduction and Rondo capriccioso, for violin and orchestra
"endelssohn Symphony No 4, in A (Italian)

Contributors

Leader:
Trevor Williams
Conductor:
Harry Blech

(Das Geschaeft)
A radio play by Gunter Herburger translated by Anthony Vivis
With Valerie Kirkbright and Leonard Fenton

A secular tract on the total corruptive consequence of greed.

Contributors

Author:
Gunter Herburger
Translated by:
Anthony Vivis
Producer:
Norman Wright
Anna:
Valerie Kirkbright
Peter:
Leonard Fenton
Snow:
Patrick Tull
Lichtentaeler:
Harold Kasket
Maxwell:
Geoffrey Wincott
Other parts:
Stephanie Turner
Other parts:
Antony Higginson

Four talks by CHARLES DAVIS , Professor in the Department of Religion, Sir George Williams University, Montreal, on whether institutionalised religion still has a creative role to Play in modern society
1: The Lust for Certitude
In this first talk Professor Davis asks whether to seek for Certitude is not inevitably self-defeating.

Contributors

Unknown:
Charles Davis

BBC Radio 3

About BBC Radio 3

Live music and the arts: broadcasts more live music than any other radio network. Classical music is its core. Genres include world and new music, jazz, speech and drama.

Appears in

About this data

This data is drawn from the Radio Times magazine between 1923 and 2009. It shows what was scheduled to be broadcast, meaning it was subject to change and may not be accurate. More