Time: GTS 7.0 am

Rameau Suite: Le temple de la gloire: ENGLISH CHAMBER ORCHESTRA, directed by RAYMOND LEPPARD ( harpsichord)

7.27* Gretry Flute Concerto in C CLAUDE MONTEUX, ACADEMY OF ST MARTIN-IN-THE-FIELDS directed by NEVILLE MARRINER

7.42* Massenet Ballet Music: Le Cid ISRAEL PHILHARMONIC ORCHESTRA Conducted by 'JEAN MARTINON

Morning Concert: part 2
8.5 Cherubini Overture: Anacréon VIENNA PHILHARMONIC ORCHESTRA conducted by KARL MÜNCHINGER
8.16* Saint-Saens Cello Concerto No 1: JACQUELINE DU PRÉ NEW PHILHARMONIA ORCHESTRA conducted by DANIEL BARENBOIM
8.37* Ravel Suite: Mother Goose
SUISSE ROMANDE ORCHESTRA conducted by ERNEST ANSERMET gramophone records

Excerpts from Act 1 of L'Italiana in Algeri
GIULIANA TAVOLACCINI (soprano) TERESA BERGANZA (mezZO-SOp) MITI TRUCCATO PACE (contralto) LUIGI ALVA (tenor)
ROLANDO PANERAI (baritone) PAOLO MONTARSOLO (baritone) FERNANDO CORENA (bass)
CHORUS AND ORCHESTRA OF THE MAGGIO MUSICALE FIORENTINO conducted by SILVIO VARVISO gramophone records

Mozart L'Amero, saro costante, with violin obbligato; Die Zufriedenheit: Abendempfindung Schumann Die Meerfee: Friihlingsankunft; Meine Rose
Brahms Lerchengesang ; Frühlingstrost
Bach Chaconne (Partita in D minor, s 1004)
JILL GOMEZ (soprano) IONA BROWN (violin)
PAUL HAMBURGER (piano)

'from the Great Hall, Lancaster DOUGLAS WH1TTAKER (flute), BBC NORTHERN SYMPHONY ORCHESTRA conductor BRYDEN THOMSON
Berlioz Overture: Beatrice and Benedict
(conducted by ANTONY BEAUMONT ) Paul Patterson Symphonic Study ii i first performance)
Mozart Flute Concerto (K 314)
12.0* During the Interval
ANTHONY DORRELL talks about Nielsen's Fifth Symphony,
12.20* Concert: part 2
Nielsen Symphony No 5 (1922)

director ELMER ISELER
Vaughan Williams Sanctus; Benedictus (Mass in G minor) (continued in next column)
Josquin des Prés Agnus Dei (Missa de Beata Virgine)
Isaac Rorate coeli desuper
1.20* John Beckwith Sharon fragments
Derek Holman Make we joy in this feast
Healey Willan Kyrie (Missa brevis)
Murray Schafer Epitaph for moonlight
1.40' Poulenc Gloria (Mass)
Hindemith Credo (Mass, 1963) Stravinsky Pater noster Debussy Trois chansons
(The works by Beckwith, Holman, Willan and Schafer are receiving their first broadcast performances in this country)

A weekly seri based on the music in the current repertory of London's
Festival Balls Introduced b CORMAC RIGBY Today: Nuteracker
Choreography by Petipa and Ivanov, Andrée Howard, Jack Carter and Vassilie Trunoff Music by Tchaikovsky
BOLSHOI THEATRE SYMPHONY ORCHESTRA. conducted by GENNADI ROZHDESTVENSKY
(Recording made available by courtesy of Soviet Radio)

First of nine programmes Four Pieces, Op 1
Sonata in E minor, Op 7 HIRO IMAMURA (piano)

with David Munrow

A programme of recent records Tippett Fantasia Concertante on a theme of Corelli ALAN LOVEDAY (Violin) CARMEL KAINE (Violin)
KENNETH HEATH (cello), ACADEMY OF ST MARTIN-IN-THE-F1ELDS conducted by NEVILLE MARRINER
5.2* J. C. Bach Vauxhall Songs ELSIE MORISON (soprano) BOYD NEEL ORCHESTRA conducted by THURSTON DART
5.16' William Mathtas Piano Concerto No 3: PETER KATIN LONDON SYMPHONY ORCHESTRA conducted by DAVID ATHERTON

THE BAND OF HM ROYAL MARINES SCHOOL OF MUSIC (Deal) conducted by MAJOR PAUL NEVILLE , MVO, ARAM, Principal Director of Music Claude T. Smith The Incidental Suite
Albert Elms Three Impressions for Band

JOSEPH COOPER looks at music in London and the South East during the coming weekend,
6.25 Programme News and Stock Market Report

6.30 Vient de paraltre
The last of three holiday iprogrammes
Entente cordinlc louis OMER talks about the differences he has noticed between everyday life in France and England,
(Rptd: Saturday, 10.30 am, R4)
7.0 Amici. buona sera!
For details see Friday, 6.30 pm (Publications: page 60)

leader ELI GOREN conductor PIERRE BOULEZ with FELICITY PALMER (soprano) SZYMON GOLDBERG (violin) Part 1
Messiaen Poemes pour Mi
8.0* Stravinsky Violin Concerto

Four talks by MICHAEL BLACK
2: Emma Bovary and the dream of self-fulfilment
Racine's Phaedra expresses the intransigent classical view aboutt love which goes against the norms of social conduct: the only credible course is re-nun.ciia.tion. It would make a neat contrast if Flaubent's Madame Bovary could simply be presented as a romantic counter-statement to the classical position. But Emma Bovary is in the deepest sense irresponsible,

Part 2 Bartok
Concerto for Orchestra
(Before an invited audience in Studio 1, Maida Vale, London)

FRANK COOPER , the American pianist and university professor, talks about the crisis facing American music. 'Music simply is not accorded a meaningful place in American life,' he says. ' Permissive education, seeking to sugar-coat the learning experience, has treated music almost solely as recreation and entertainment. It has contributed to an ever-increasing appreciation of so-called pop culture as though it were art, and created an attitude that whatever we happen to like is good for us. that we can be content with it.'

Ian Partridge (tenor)
Jennifer Partridge (piano)

Schubert: Liebesbotschaft; Ihr Bild; Das Fischermadchen (Schwanengesang)
Schubert: Ganymed
Schumann: Liederkreis, Op 39

(Stereo)

A Medieval Yuletide Poem in a translation by Gwyn Jones
Arranged for stereo in four programmes by Raymond Raikes with music by Stephen Dodgson which includes settings of 14th century carols
With The King's Singers and the orchestra conducted by Rae Jenkins

Sonata in A minor. Op 23 NORBERT BRAININ (violin) LAMAR CROWSON (piano)