Time: Big Ben 8.0 am

Mozart Cassation in B flat (K 99) COLLEGIUM MUSICUM OF ZURICH conducted by PAUL SACHER
8.25* LaloSymphonie espagnole HENRYK SZDRYNG (Violin)
MONTE CARLO OPERA ORCHESTRA conducted by EDUARD VAN RBMOORTEL

CHOIR OF MAGDALEN COLLEGE ANTHONY FURNIVALL (organ)
ELIZABETHAN CONSORT OF VIOLS conducted by BERNARD ROSE
Davy Tune crucifixi sunt (St Matthew Passion)
Nicholson Three metric psalms; When Jesus sat at meat
Giles God who as at this time Stainer I saw the Lord
Stewart Veni sancti spiritus Geoffrey Bush Magnificat Rose Everlasting Mary
Robert Sherlaw Johnson Invocatio

A record request programme

Dukas Poeme danse: La peri MONTE CARLO NATIONAL OPERA ORCHESTRA conducted by LOUIS FREMAUX

10.20* Bartok Dance Suite LONDON SYMPHONY ORCHESTRA conducted by GEORG SOLTI

10.38* Janacek Sinfonietta BAVARIAN RADIO SYMPHONY ORCHESTRA Conducted by RAFAEL KUBELIK

Bach, arr Stravinsky Chorale Variations on Vom Himmel hoch: TORONTO FESTIVAL SINGERS CBC SYMPHONY ORCHESTRA
11.12* Ballet; The Firebird COLUMBIA SYMPHONY ORCHESTRA gramophone records

Chopin Polonaise in c minor. Op 40 No 2: Three Mazurkas: Op 33 Nos 1 and 4; Op 59 No 2
Szymanowski Three Preludes (Op1): Nos 4. 7 and 8 12.26* Two Songs: In the magic wood. Op 11 No 2: St Francis , Op 46b No 3
Shéhérazade (Masques. Op 34)
Songs of the foolish Muezzin, Op 42
MARTA GOZDECKA (piano) HAZEL HOLT (soprano)
PETER PETTINGER (pianO)
1.1* Ravel Quartet in F major LASALLE STRING QUARTET
(From a concert in the Queen Elizabeth Hall , London)

Opera in two acts
Music byLEONCAVALLO Libretto by the composer (gramophone records)
CHORUS AND ORCHESTRA OF
LA SCALA, MILAN, conducted by HERBERT VON ARAJAN Act 1

MOSCO CARNER talks about Papliacci and the verismo tradition.

Act 2

RADU LUPU (piano)
JOHN SHIRLEY-QUIRK (baritone) AMBROSiAN SINGERS chorus-master JOHN MCCARTHY LONDON SYMPHONY ORCHESTRA leader JOHN GOORGIADIS conductor ANDRÉ PREVIN from the Royal Festival Hall, London
Part 1 Beethoven
Piano Concerto No 2, in B flat

ROBERT LAYTON discusses the only work in the second part of the concert,

Part 2 Shostakovich
Symphony No 13 (first broadcast performance in this country)

IONA BROWN (violin)
IAN BROWN (piano)
Mozart Sonata in G (K 301)
Brahms Scherzo (FAE Sonata)

A study of the music composed in the 12 years following the First World War
Part 1 Weill Der Ozeanflug (The Lindbergh Flight) ROBERT TEAR (tenor)
NEIL HOWLETT (baritone) STAFFORD DEAN (bass) BBC CHORUS
WANDSWORTH SCHOOL BOYS' CHOIR BBC SYMPHONY ORCHESTRA leader ELI GOREN conductor COLIN DAVIS

MICHAEL HALL discusses Brecht's idea of an Epic Theatre, with particular reference to the music in this programme,

Part 2 Stravinsky Oedipus Rex
SADLER'S WELLS CHORUS
ROYAL PHILHARMONIC ORCHESTRA conducted by COLIN DAVIS (gramophone record)
Series devised and produced by MICHAEL HALL

A Pamphlet (1603) attributed to THOMAS DEKKER
' 'Pleasantly discoursing the variable humours of women, their quicknesse of wittes, and unsearchable deceits.'
Adapted for broadcasting and produced by TERENCE TILLER Music specially composed by ELIZABETH POSTON played by a section of the ENGLISH CHAMBER ORCHESTRA conducted by DOUGI.AS ROBINSON chorus-master, Royal Opera House Covent Garden
(New production of the broadcast in 1953, Third Programme)

Five-part Consort Suite No 1 Sonata No 8
Six-part Consort Suite No 1 ELIZABETHAN CONSORT OF VIOLS directed by THURSTON DART (chamber organ) gramophone record

An address by The Rt Hon Enoch Powell , Mr, on the words of Christ in St John 's Gospel, chapter 18, v 36. This is one of three addresses given by Mr Powell earlier this year in the Church of St Lawrence Jewry, London. In the studio he discusses and defends his interpretation in conversation with The Rev Dennis Nineham. Warden of Keble College, Oxford,

TILFORD BACH FESTIVAL CHOIR DEREK STEVENS (organ)
MEMBERS OF THE TILFORD BASH FESTIVAL ORCHESTRA leader TREVOR WILLIAMS conductor DENYS DARLOW Part 1
Buxtehude Schwinget euch himmelan, Herzen und Sinnen Couperin Motet de Sainte Susanne

ANDREW MARTINDALE of the University of East Anglia talks about the ways in which humanist thinkers of the Renaissance, or orators as they called themselves, approached and discussed the fine arts. He does this in the light of the recent important study of the subject by Dr Michael Baxandall. Andrew Martindale explains why in some respects the humanists are the true forebears of the modern art critic and art historian,

Part 2
Couperin Sonata and Suite: L'Espagnole
Buxtehude Alles was ihr tut