Time: GTS 7.0 am

Mozart Piano Concerto No 23, in A (K 488)
CLIFFORD CURZON LONDONSYMPHONY ORCHESTRA conducted by ISTVAN KERTESZ
7.32* Vorisek Symphony in D PRAGUE CHAMBER ORCHESTRA

Morning Concert: part 2
8.5 Cherubini Symphony in D PHILADELPHIA CHAMBER SYMPHONY
ORCHESTRA conducted by ANSHEL BRUSILOW
8.30* Berlioz Rêverie et caprice YEHUDI MENUHIN (violin) PHILHARMONIA ORCHESTRA conducted by JOHN PRITCHARD
8.39* Franck Symphonic Poem: Le chasseur maudit
BOSTON SYMPHONY ORCHESTRA conducted by CHARLES MUNCH gramophone records

Purcell
Three-part Sonata No 4, in F GOLDSBROUGH ENSEMBLE
9.13' Songs: Fly swift, ye hours: Return, revolting rebels MAX VAN EGMOND (baritone) LEONHARDT CONSORT
9.21* Three-part Sonata No 9, in c minor
GOLDSBKOUGH ENSEMBLE gramophone records

BKRNADETTE GREEVY (contralto) , MAURICE BRETT (violin)
HAVELOCK NELSON (piano)
Ravel D'Anne qui me jecta de la neige: D'Anne jouant de I'espinette; Five Greek folk songs
9.45* Prokofiev Sonata No 1, in F minor, for violin and piano.
10.15' Brahms Zigeunerlieder , Op 103

A Jazz Suite by MIKE WESTBROOK played by the DANISH RADIO JAZZ ORCHESTRA directed by THE COMPOSER
(Recording made available by courtesy of Danish Radio)

Philip Langridge (tenor)
Christopher Bowers-Broadbent (organ)
Tristan Fry (percussion)
BBC Chorus conductor Peter Gellhorn

Lennox Berkeley A Festival Anthem, for chorus and organ

11.15* Francis Routh Fantasia (1967), for organ (first broadcast performance: recorded in the Church of St John the Evangelist, Islington)

11.27* Tolia Nikiprowetzky Numinis Sacra, for tenor, organ, percussion and chorus (first broadcast performance in this country)

8: The Cuna Indians: Caribbean Curers and Musicians
Recorded by the Anglo-Colombian Recording Expedition Introduced by DONALD TAYLOR
Producer MADEAU STEWART

AMARYLLIS FLEMING (cello) BBC TRAINING ORCHESTRA concert-master PETER MOUNTAIN conducted by MICHAEL ROSE
Mendelssohn Overture: Fingal's Cave
12.21* Mozart Symphony No 32, in G (K 318)
12.30* Elgar Cello Concerto

Midday Concert: part 2
1.5 Debussy Prelude a l'apresmidi d'un faune
1.16* Mussorgsky, orch Ravel Pictures from an Exhibition

DAVID MUNROW (recorder) CHRLSTOPHER HOGWOOD (harpsichord)
Recorder and harpsichord:
Daniel Purcell Divisions to a Ground
Andrew Parcham Solo in G
2.2* Harpsichord:
William Croft Suite No 1, in c minor; A Ground (Suite No 3)
2.13* Recorder and harpsichord: anon Division on Fargnel's Ground
Handel Sonata in F, Op 1 No 11

(My country) by Smetana
CZECH PHILHARMONIC ORCHESTRA conducted by VACLAV NEUMANN Part 1
Vysehrad; Vltava; Sarka

VALERIE TRYON (piano)
The second of three programmes showing the connection between Liszt's Transcendental Studies (1851) and the juvenile Exercises, Op 1, from which they Were derived.

Part 2
From Bohemia's woods and fields: Tabor: Blanik
(Recording made available by courtesy of Czechoslovak Radio)

Stravinsky Concerto in D
ENGLISH CHAMBER ORCHESTRA conducted by COLIN DAVIS
4.53* Tippett Fantasia Concertante on a theme of Corelli YEHUDI MENUHIN (violin) ROBERT MASTERS (violin) DEREK SIMPSON (cello)
BATH FESTIVAL ORCHESTRA conducted by MICHAEL TIPPETT Strauss Metamorphosen ACADEMY OF
ST MARTIN-IN-THE-FIELDS conducted by NEVILLE MARRINER gramophone records

by DAVID PETTIT from Colston Hall , Bristol
Bach Fantasia and Fugue in c minor (s 537)
Guilmant Sonata No 1, in D minor

TREVOR HARVEY takes a look at some musical events in London and the South East during the coming mid-week.
6.25 Programme News and Stock Market Report

Symphony No 5, in B flat major BBC SYMPHONY ORCHESTRA leader eu GOREN conducted by ERICH schmid

A suite for voices by JAMES SAUNDERS with John Neville as The Man and Pauline Collins as The Woman
The many moments that can occur in a relationship between the two sexes are contained within a series of scenes. Producer JOHN TYDEMAN

BENJAMIN LUXON (baritone) BBC CHORUS conducted by CECILIA VAJDA TAMAS VASARY (piano) Part 1
Part Songs: Jesus and the traders; 0, my nation's grieving; A song for ever
Nine Piano Pieces, Op 3
Hymn of Zrinyi, for baritone and chorus

MALCOLM BRADBURY charts what he sees as the two main impulses of American fiction in the 1960s towards documentary and towards a kind of ' surreal fabulation.' He distinguishes these from the earlier preoccupation of the 1950s - an aesthetic compactness and a concern with human relationships in the chaos of an urban world. The link, he believes, lies in the continuing willingness of the modern American writer ' to risk formal purity in attending to the powers of time.'

Part 2
Part Songs: The peacock; Transylvanian Lament
Dances from Marosszek, for piano
Part Songs: Matra Pictures