Time: GTS 7.0 am

arr Barbirolli An Elizabethan Suite: BBC SYMPHONY ORCHESTRA conducted by SIR JOHN BARBIROLLI
7.18* Beer Concerto in b flat HANS-MARTIN LINDE ENSEMBLE
7.38* Quantz Flute Concerto in e minor: KARL-HEINZ ZÖLLER
BERLIN PHILHARMONIC ORCHESTRA conducted by HANS VON BENDA
7.44* Mozart Divertimento in D (K 136): I MUSICI

Morning Concert: part 2
8.5 Dvorak Overture: Carnival
LONDON SYMPHONY ORCHESTRA conducted by WITOLD ROWICKI
8.15* Brahms Concerto in A minor: DAVID OISTRAKH and MSTISLAV ROSTROPOVICH CLEVELAND ORCHESTRA conducted by GEORGE SZELL
8.49* Berlioz Royal Hunt and Storm (The Trojans)
ROYAL PHILHARMONIC ORCHESTRA
BEECHAM CHORAL SOCIETY conducted by SIR THOMAS BEECHAM gramophone records

Piano Concerto No 1, in B flat minor:
VLADIMIR ASHKENAZY LONDON SYMPHONY ORCHESTRA conducted by LORIN MAAZEL
gramophone record

Finzi Song-cycle: Earth and air and rain
.JOHN CAROL CASE (baritone) PAUL HAMBURGER (piano)

LONDON STUDIO STRINGS conducted by MARCUS DODS Jacob Denbigh Suite
Bartolc, arr Willner Rumanian Dances
Sibelius Romance in c
Grace Williams Suite: Sea Sketches

Quintet in A major, Op 146 jost MICHAELS (clarinet) BENTHIEN QUARTET
(Recording made available by courtesy of Radio Saarbriicken)

Symphony No 7: SOUTH GERMAN RADIO SYMPHONY ORCHESTRA conducted by MICHAEL GIELEN
(Recording made available by courtesy of South German Radio)

JOHN SHIRLEY-QUIRK (baritone) with MARTIN ISFPP (piano) †
Schubert Meeresstille; Lied eines Schiffers an die Dioskuren; Gondelfahrer; Abendrothe; Der Strom; Der Schiffer dm Winde, im Sturme); Aufiosung
Brahms Wahrend des Regens; Sommerfaden; Mein Herz ist schwer; An ein Bild; Abendregen; Der Tod, das ist die kiihle Nacht

MAURICE MURPHY (trumpet) BBC NORTHERN SYMPHONY ORCHESTRA leader REGINALD STEAD conducted by ARTHUR BUTTERWORTH Part 1
Beethoven Overture: Leonora No 1
1.55* Leopold Mozart Trumpet Concerto In D major
2.3* Sibelius Symphony No 6. in D minor

EDMUND RUBBRA talks about recreative orchestration,

Part 2
Timothy Moore Trumpet Concerto
3.17* Brahms, orch Rubbra Variations and Fugue on a theme of Handel

Piano Sonata in B minor played by EDITH VOGEL

cws (Manchester) BAND conductor ALEX MORTIMER
Frank Wright March: Whitehall Albert lienz Burlesque Elyar Severn Suite

Cleo Laine and John Dankworth at Lancaster University with JOHN TAYLOR i piano) KEN BALDOCK (string bass) CHRIS KARAN (drums) Part 1

The Australian composer DON BANKS talks about the problems of integrating jazz with serious music,

Part 2
(A public concert given in the Great Hall, Lancaster University, last November)
( Cleo at the Round House Prom: next Monday, 6 September)

Tonight: from the Royal Albert Hall London
Sheila Armstrong (soprano) Alfreda Hodgson (contralto) Gerald English (tenor) Benjamin Luxon (baritone) John Wilbraham (trumpet)
BBC Chorus
John Birch (organ continuo)
English Chamber Orchestra, leader Kenneth Sillito, conductor Raymond Leppard

Haydn: part 1
Symphony No 77, in B flat major

7.56* Mass in D minor (Nelson)

(This Week's Proms: page 9)

Four talks by MICHAEL BLACK 2: Emma Bovary and the dream of self-fulfilment
Racine's Phaedra expresses the intransigent classical view about love which goes against the norms of social conduct: the only credible course is renunciation. It would make a neat contrast if Flaubert's Madame Bornry could simply be presented as a romantic counter-statement to the classical position. But Emma Bovary is in the deepest sense irresponsible: which means she is no more responsible to herself than to others. She is a dangerous weapon loaded with violent emotion,
(Anna Karenina and the cost of self-fulfilment: 6 September)

Haydn: part 2
Trumpet Concerto in E flat major
9.16* Symphony No 102, in B flat major (The Miracle)

BRUCE ANGRAVE introduces this Victorian relic playing part of a Bach fugue, Mendelssohn s A Midsummer Night's Dream Overture, The Piccaninnies. and the Hallelujah Chorus,

played by MARIA GRINBERG
Beethoven Sonata in E minor, Op 90
(Recording made available by courtesy of Soviet Radio)

A selection of prose, poems and songs from the North of England with HENRY LIVINGS and ALEX GLASGOW
Compiled by ROGER CHAPMAN Producer ALFRED BRADLEY

As pop music matures, the dialogue between jazz and pop becomes more fruitful. The result of such a musical merger can be heard in Part 1 of a recent session with JOHN SURMAN (baritone and soprano saxophones)
JACK BRUCE (bass guitar) JON HISEMAN (drums) Introduced by RICHARD WILLIAMS
Producer JOHN F. MUIR