Time: Big Ben 8.0 am
Gregor Werner Prelude and Fugue in c minor
HUNCARIAN CHAMBER ORCHESTRA conducted by VILMOS TATRAI
8.12* Giaches de Wert Madrigals: Datemi pace; J'ai trouve ce matin
ACCADEMIA MONTEVERDIANA CONSORT OF VOICES
8.20' Schubert Rondo In A major (D 438)
JOSEF SUK (violin)
ACADEMY OF ST MARTIN-IN-THE-FIELDS conducted by NEVILLE MARRINER
8.34* Strauss Suite in B flat, Op 4
LONDON SYMPHONY ORCHESTRA WIND ENSEMBLE conducted by GERVASE DE PEYER
Seventh of nine programmes ANGELA BEALE (soprano)
FELICITY PALMER (soprano) MARGARET CABLE (contralto) IAN PARTRIDGE (tenor) JOHN ELWES (tenor) ALAN JONES (baSS)
CHRISTOPHER KEYTE (bass) THAMES CHAMBER CHOIR
ALAN LUMSDEN (tenor sackbut) TONY MOORE (tenor sackbut)
MARTIN NICHOLLS (bass sackbut) HAROLD LESTER
(chamber organ continuo) MARTIN NEARY
(chamber organ continuo) THAMES CHAMBER ORCHESTRA led by MARJORIE LAVERS conductor LOUIS HALSEY Monteverdi Beatus vir
Legrenzi Qui non renunciat Vivaldi Beatus vir
A record request programme
Bruch Violin Concerto No 1, in G minor: ISAAC STERN PHILADELPHIA ORCHESTRA conducted by EUGENE ORMANDY
10.25* Shostakovich Symphony NO 6: CHICAGO SYMPHONY ORCHESTRA, conducted by LEOPOLD STOKOWSKI
This listing contains language that some may find offensive.
Quartet in F, Op 50 No 5 at 12.18* LEO BLACK, who has devised this series, will discuss the second work in this programme
12.33* Quartet in c. Op 64 No 1 BENTHIEN STRING QUARTET
ROYAL PHILHARMONIC ORCHESTRA led by COLIN STAVELEY conducted by MYER FREDMAN Part 1
Mozart Symphony No 35, in D major (Haffner) (K 385)
1.12* Havergal Brian Symphony No 8
NORMAN FULTON talks about Bruch's Second Symphony
Part 2 Bruch
Symphony No 2, in F minor
Opera in four acts by FRANCESCO CILEA
Libretto by ARTURO COLAUTTI based on the play by EUGENE SCRIBE and ERNEST LEGOUVÉ English version by PERCY PINKERTON , adapted by NORMAN TUCKER
BBC CHORUS
BBC CONCERT ORCHESTRA conducted by ALBERTO EREDE Repetiteurs JOHN BACON and RICHARD NUNN
Produced by JULIAN BUDDEN
(Given before an invited audience in the Camden Theatre, London)
(Elizabeth Bainbridge and Delme Bryn-Jones broadcast by permission of the General Administrator. Royal Opera House Covent Garden; Norman Welsby by permission of Sadler's Wells Opera Company) Acts 1 and 2
ANGELO NOTARIELLO recalls memories of life at the Naples Conservatory under Francesco Cilea.
Acts 3 and 4
ANTONY HOPKINS discusses a work or theme of current interest
Produced by DENNIS SIMMONS
(piano) Part 1
Bach Partita No 2. in c minor
5.53* Scriabin Sonata No 5, in F sharp, Op 53
ALAN WALKER talks about Chopin and the piano.
Part 2 Chopin
Ballade No 4. in F minor
6.41* Scherzo No 3, in c sharp minor
6.48* Mazurkas (Op 30): No .1, in c minor; No 2. in B minor; No 3, in D fiat major
7.1* Polonaise in A flat, Op 53
by DON TAYLOR with Barry Foster as the Man and Gary Watson as Andrew Marvell
David March , Ellen Dryden
Dialogues for String Quartet on a theme of William Lawes composed and conducted by H. R. CHAPPELL and played by THE SIDNEY SAX QUARTET
Produced by RICHARD WORTLEY Don Taylor says of his new play for radio: 'A modern man sits in a small room with gun-fire outside. His curtains are drawn. But his world and his conflicts are ours, and society answers his plea for artistic detachment in the most positive way. While reading Andrew Marvell, his life and the poet's interact.
Marvell had two years of peace at Nunappleton House in Yorkshire, writing most of his greatest poetry while tutor to the daughter of General Fairfax. In 1650 the powerful General had retired prematurely from the Civil War. The play dramatises this period of Marvell's life, studying the forces of conscience and responsibility in the shape of the General who relinquished his commitment and the poet who took it up.'
(Marius Goring reads Marvell's s poem Appleton House tomorrow at 10.35 pm)
Violin Concerto
WOLFGANG SCHNEIDERHAN ,BAVARIAN RADIO SYMPHONY ORCHESTRA conducted by THE COMPOSER gramophone record
Dr Henry Miller , Vice-Chancellor of the University of Newcastle, talking to
Renford Bambrough, philosopher and Dean of St John's College, Cambridge, about General Medicine
The third of eight conversations between Renford Bambrough and different specialists in a wide range of human sciences,
Requiem a 4 PRO CANTIONE ANTIQUA conducted by HENRY WASHINGTON
CHARLES ROSEN talks about the way in which ornamentation assumes a structural role In Beethoven's keyboard inspiration.
(On 7 July Charles Rosen discusses his new book The Classical Style with Paul Hamburger )
Mendelssohn String Quartet in A minor. Op 13
11.12* Britten The poet s echo (Six settings of Pushkin) MARGARET PRICE (SOpranO) JAMES LOCKHART (piano)
DARTINGTON STRING QUARTET
