Time: GTS 7.0 am
Haydn Overture: L'incontro improvviso: COLOGNE CHAMBER ORCHESTRA, conducted by HELMUT MULLER BROHL
7.13* Beethoven Romance in F major, for violin and orchestra DAVID PISTRAKH
ROYAL PHILHARMONIC ORCHESTRA conducted by SIR EUGENE GOOSSENS
7.22* Dvorak Symphony No 3 LONDON SYMPHONY ORCHESTRA conducted by ISTVAN KERTESZ gramophone records
A record request programme
Berlioz Hungarian March (The Damnation of Faust)
PHILHARMONIA ORCHESTRA conducted by HERBERT VON KARAJAN
8.10* Mozart Piano Concerto No 9, in E flat major (K 271) VLADIMIR ASHKENAZY LONDON SYMPHONY ORCHESTRA conducted by ISTVAN KERTESZ
8.43* Fauré Suite: Masques et bergamasques
THE PARIS ORCHESTRA conducted by SERGE BAUDO
Songs and Romances from Op 14: Vor dem Fenster; Vom verwundeten Knaben: Murrays Ermordung; Standchen; Sehnsucht - Dietrich Fischer-Dieskau (baritone); Jorg Demus (piano)
9.17* Hungarian Dances Nos 1-5 - Bracha Eden and Alexander Tamir (piano duet)
9.32* Folk Songs: Es war ein Markgraf uber'm Rhein: All mein' Gedanken; Wie komm' ich denn zur Tur herein: Soil sich der Mond nicht heller scheinen - Elisabeth Schwarzkopf (soprano) Dieter Fischer-Dieskau (baritone) Gerald Moore (piano)
(gramophone records)
A programme of recent records Roussel Suite in F major THE PARIS ORCHESTRA conducted by JEAN-PIERRE JACQUILLAT
10.0* Franck Symphony in D minor
THE PARIS ORCHESTRA conducted by HERBERT VON KARAJAN
Fifth in a series of seven programmes surrounding his vocal and choral music
Warning; Oh love; Oh war, how cruel you are; Your lovely eyes (Male voice choruses, 1885)
If only you knew; Mosquitoes: Evening witch; Parting (Moravian male voice choruses. 1904) Moravian National Dances. arranged for piano by the composer
Ploughing; The birch tree: The vineyard: The feather bed (Male voice folk choruses, 1873-1914)
BBC MEN'S CHORUS conducted by ALAN G. MELVILLE LIZA FUCHSOVA (piano)
NORTHERN SINFONIA ORCHESTRA cor/iucted by LAWRENCE FOSTER Haydn Symphony No 97. in c
12.14* Stravinsky Dumbarton Oaks: concerto for chamber orchestra
12.31* Schubert Symphony No 2
TUCKWELL WIND QUINTET Peter Lloyd (flute)
Derek Wickens (oboe) Jack Brymer (clarinet) Barry Tuckwell (horn) John Price (bassoon)
With MARGARET KITCHIN (piano) Beethoven Sextet in e flat major, Op 71, for two clarinets. two horns, and two bassoons with RONALD MOORE (clarinet) AUBREY CHIDDELL (horn)
ALAN HAMMOND (bassoon)
Rossini Prelude, Theme, and Variations, for horn and piano (BARRY TUCKWELL , MARGARET KITCHIN )
Poulenc Sextet , for flute, oboe. clarinet, horn, bassoon, and piano
Excerpts on records from Boccaccio (Suppé) and Der Vogelhandler (Zeller)
conducted by MICHAEL ROSE
Mendelssohn Overture: Fin-gal's Cave
3.11* Handel, arr Harty Suite: The Water Music
3.27* Butterworth Rhapsody: A Shropshire Lad
3.38* Stravinsky Danses concertantes
from Tisbury Parish Church in Wiltshire -
Introit: Let my prayer come up (Ashfield)
Responses (Ayleward)
Psalms 12, 13, 14 (Brown-smith, Naylor, Havergal, Goss)
Lessons: Exodus 16, vv 4-15; John 6, vv 41-59
Canticles: Gibbons, Short Service
Anthem: I will exalt thee (Tye)
Hymn: The church of God a kingdom is (A and M Rev 254)
Musical director Dr Robert Ashfield
Organist Ian Newman
Codes and Ciphers
Bach Unfinished Fugue (The Art of Fugue)
Schumann Abegg Variations
Shostakovich String Quartet No 8
Liszt Prelude and Fugue on BACH
Records chosen hy the under-20s, introduced by CHRISTOPHER HOG WOOD
Present-day jazz on records introduced by CHARLES FOX
2: Hospitals for All
ANNE LAPPING looks at our hospitals and asks - are the buildings suitable for modern medicine and what demands are made on hospital staff? Should we change our concept of what a hospital is for?
Produced by HUGH PURCELL (For publication see page 50)
4: How to Teach and Assess A common complaint amongst students in higher education is that they are badly taught. The Oxford tutorials and the formal lecture have both been under attack. What research has been done on teaching methods? And how, at the end of the line, should the student be assessed?
DR RUTH beard , Director, Higher Education Research Unit, London University, and WILLEM VAN DER EYCKEN, Senior Research Fellow in Education, Brunei University, talk to CHRISTOPHER THORNE
Produced by CHRIS CUTHBERTSON
from the Royal Albert Hall London
CLIFFORD CURZON (piano)
AMSTERDAM CONCERTGEBOUW ORCHESTRA conducted by BERNARD HAITINK
Part 1
Strauss Symphonic Poem: Don Juan
7.54* Mozart Piano Concerto No 24, in c minor (K 491)
by J. A. DOOLEY
There is a shadow behind even the most cryptic utterances in Ibsen's The Master Builder, while behind the tautness of the dialogue there is a logic, as if some plot is being unfolded which the words merely conceal. Mr Dooley argues that by introducing certain Kierkegaardian and Jungian parallels we can come to a deeper understanding of this play,
Part 2 Berlioz
Svmphonie fantastique
(This Week's Proms: page 12)
A parable for radio by Alan Sharp
The original production of 1962, with music composed and played by RICHARD RODNEY BENNETT
With ROBERT BAIRD , ISLA CAMERON MICHAEL DEACON. YVONNE GILLAN ALEX MCCRINDLE , DAVID MCKAIL COLIN MILLER , AUDREY MUIR
BILL SIMPSON , ALAN THOMPSON DENIS MCCARTHY (percussion) Special effects by the BBC RADIOPHONIC WORKSHOP Production by CHRISTOPHER HOLME
Chamber music for wind and piaao: MUSIC GROUP OF LONDON gramophone record
Mass in B flat major (Theresienmesse)
ERNA SPOORENBERG (soprano)
BERNADETTE GREEVY (contralto) JOHN MITCHINSON (tenor) TOM KRAUSE (bass)
BRIAN RUNNETT (organ)
CHOIR OF ST JOHN 'S COLLEGE, CAMBRIDGE: ACADEMY OF ST MARTIN-IN-THE-FIELDS conducted by GEORGE GUEST gramophone record