A programme of recent records
Symphony in D major, for flute, trumpet, string orchestra, and continuo Alessandro Scarlatti
Hans- Martin Unde , MAURICE andr COLLEGIUM MUSICUM ZURICH Conducted by PAUL SACHER
I Musici

Sally Le Sage (soprano) Ian Partridge (tenor) John Carol Case (baritone)
Tilford Bach Festival Choir
Obbligati: Mary Ryan (flute), Mary Murdoch and Sarah Francis (oboes and oboes d'amore)
Continuo: Derek Stevens (chamber organ) Olga Hegedus (cello) Francis Baines (double-bass)
Tilford Bach Festival Orchestra
Leader, Trevor Williams
Conductor, Denys Darlow

Cantata No. 179: Siehe zu, dass deine Gottesfurcht nicht Heuchelei set

9.26* Cantata No. 113: Herr Jesu Christ, du hochstes Gut

BERLIN PHILHARMONIC ORCHESTRA
gramophone records

John Pritchard introduces records of his own choice

Ian Partridge (tenor)
Jennifer Partridge (piano)
Amadeus String Quartet with Cecil Aronowitz (viola) William Pleeth (cello)
Quartet broadcast on September 2 1967
Sextet on December 26 1967

Quartet in G major, Op. 64 No. 4 - Haydn
12.17* Song-cycle: Dichterliebe - Schumann
12.44* Sextet in B flat major, Op. 18 - Brahms

JOHN Ogdon (piano)
STATE ORCHESTRA OF THE U.S.-S.R. Leader, Isaac Zhuk
Conductor. EVGENY Svetlanov
Part 1

by Alfred SWAN and Vladimir Ashkenazy
From the BBC Sound Archives

Part 2
Broadcast on August 30. 1968

An opera in four acts
Libretto, after Prosper Merimle, by HENRI Meii. hac and Ludovic Halevy
Music by Bizet sung in French
Cast In order of singing:
Soldiers. cigarette-girls, gypsies, smugglers
ROME Chorus and Symphony ORCHESTRA OF ITALIAN RADIO
Chorus-Master, Gianni Lazzari
Children's Chorus
Trained by Renata Cortiglioni Conducted by Georges PRtTRE
Recording made available by courtesy of Italian Radio
The action takes place in and around Seville about 1830
Act 1 A square in Seville

GABRIEL WOOLF reads extracts from Prosper Mérimée's Carmen in the English translation by Lady Mary Loyd
Broadcast on March 10. 1968

Act 2 The tavern of Lillas Pastla
Acts 3 and 4 at 5.25 (Third)

by Idris PARRY , Professor of Modern German Literature, University of Manchester
'The essential thing about style in any sphere (dance, words, clothes, or simply the way you walk across a room) is that it is a flow which has form or a form which flows ... Fields of force exist even without iron filings; Turner made them visible in paint.'
Second broadcast

ACT 3 A desolate part of the moua> tains
ACT 4 Outside the bullring In Sevilla

The first of his two master classes in French song in which he discusses
Faure": Les berceaux sung by Penelope Lister with PETER Pettinger (piano)
Chausson : Le colibri sung by BARBARA LowE with Ingrid Surgenor (piano) Duparc: Phidyle' sung by PENELOPE LISTER with PETER Pettinger (piano)
Recorded at the British Institute of Recorded Sound

The second of two programmes taken from the letters of Horace Walpole selected by TERENCE COOPER
Introduced by DAVID LLOYD JAMES
Read by Carleton Hobbs
Horace Walpole (1717-1796), the great Georgian wit, lived to see the excesses of the French Revolu. tion. His many connections with France, and particularly with his beloved Mine, du Deffand, led him to passionate concern over the French situation. The second of these two programmes ends with him in his old age, lonely and despondent at what has happened to the world about him.

Zara Nelsova (cello)
Grant Johannesen (piano) Part 1
Sonata In G minor, Op. 5 No. Sonata in D major, Op. 102 No.
Recorded from the Queen Elizabeth Hall. London. on March 2

Part 2
Seven Variations on a theme from Mozart's The Magic Flute Sonata in A major, Op. 69

A selection of poems from his recent book New Numbers: introduced and read by the poet himself