A weekly programme of recent records
NEW PIHLHARMONIA ORCHESTRA Conducted by RAFAEL FRÜHBECK DE BURGOS

Fourth of twelve weekly programmes played by the OROMONTE PIANO TRIO Perry Hart (violin)
Kenneth Heath (cello) Nina Milkina (piano)
Trio in G minor (H.XV.19)
9.21* Trio in C major
(H.XV.27)

A request programme of gramophone records

Mozart's ' La clemenza dl Tito ' by STANLEY SADIE
Contemporary Scottish Piano Music by JEAN MACKIE
Musical Profile: Hans Hotter by HAROLD ROSENTHAL
Malcolm Sargent : book review by ROBERT ANDERSON
Edited by Anna Instone and Julian Herbage
Introduced by JULIAN Herbage

HAZEL HOLT (soprano)
PAUL Esswood (counter-tenor) ROBERT TEAR (tenor) JOHN NOBLE (bass)
LONDON BACH SOCIETY John Constable
(chamber organ continuo)
STEINITZ BACH PLAYERS Led by John Ludlow
Conductor, PAUL STElNITZ
Cantata No. 121:
Christum wir sollen loben schon
12.21* Cantata No. 124:
Meinen Jesum lass' ich nlcht
12.38* Cantata No. 58:
Ach Gott, wie manches Herzeleid
John Constable broadcasts by permission of the Gen. Administrator. Royal Opera House Covent Garden

played by the BORODIN STRING QUARTET
Rostislav Dubinsky (violin)
Jaroslav Alexandrov (violin) Dmitri Shebalin (viola)
Valentin Berlinsky (cello)
Part 1
Quartet No. 10, Op. 118 (1964)

A farsa in one act
Libretto by PASQUALE MILILOTTI
Music by Cimarosa abridged version, sung in Italian
ALESSANDRO Scarlatti ORCHESTRA OF NAPLES
Conducted by Franco Caracciolo
The action takes place In the eighteenth century on the Baronessa's estate near Naples
Recording made available by courtesy of Italian Radio

Part 2
Quartet No. 8, In C minor.
Op. 110 (1960)

in Germany
JOHN OGDON (piano)
BBC NORTHERN
SYMPHONY ORCHESTRA
Leader, Reginald Stead
Conducted by JASCHA HORENSTEIN
Part 1
Recording of a public concert In the Stadthalle. Wuppertal-Elberfeld. on January 20

Part 3
Quartet No. 9, Op. 117 (1964) Quartet No. 11, Op. 122 (1964)
Last of three programmes recorded in June 1968 from the Goldsmiths' Hall. London, in association with the City Music Society

Part 2
Pictures from an Exhibition
Mussorgsky, orch. Ravel

A historical documentary on the origin of Die Meistersingervon Niirnberg Written and produced by Geoffrey Skelton
Narrator, JOHN GLEN
Commentator, GEOFFREY SKELTON with ANNA BERENSKA (piano) and illustrations from gramophone records Second broadcast

A leitmotif by John Devlin with J. G. Devlin as Willy
The persons concerned are a young boy, his mother, and his Uncle Willie. Their situation is bereavement; the theme is death.
Produced by DAVID A. TURNER
Second broadcast

Part 1. See foot of page

Two talks on psycho-history by PETER BURKE
Lecturer in History and Director of Studies in the History of Ideas, University of Sussex
1: The Dreams of Archbishops ' We have no history of love. We have no history of death. We have neither the history of compassion nor of cruelty. We have no history of joy.'
Perhaps not, yet. But we have the beginnings of the attempt to write one. Psycho-history seeks to chart the patterns lying beneath and around those of our more deliberate behaviours.
2, Chairs, Mirrors, and Autobiographies: February 6

Part 2. See foot of page

and its consequences
An open-end discussion in which the speakers pursue their arguments without the inhibitions imposed by a fixed time limit
Bishop B. C. BUTLER , O.S.I. Theologian
MGR. ALAN CLARE Theologian
FR. HERBERT MCCABE , O.r. Theologian
GREGORY MACDONALD Specialist in Central European affairs
EMANUEL DE KADT Specialist in Latin American affairs
ANTHONY SPENCER , Sociologist under the chairmanship of RENFORD BAMBROUGH, Dean of St. John's College, Cambridge
The speakers discuss the Pope's ban on artificial contraception in relation to such questions as the population problem, the individual conscience, the place of authority in the Church, and the effects of changing attitudes on the structure of the Church.

and its consequences
The open-end discussion continued