gramophone records
Gramophone records
Beethoven
Overture: Leonora No. 1
Philharmonia ORCHESTRA
Conducted by Otto KLEMPERER
9.14' Piano Concerto No. 2, in B flat major
Wilhelm KEMPFF Berlin Philharmonic ORCHESTRA
Conducted by Ferdinand Leitner gramophone records
BBC Welsh Orchestra Leader, Colin Staveley
Conductor, JOHN CAREWE
Martin HUGHES
The seventh of ten weekly broadcasts of recordings made during this competition; competitors played Haydn sonatas and modern works in addition to Mozart concertos.
ANTONY HOPKINS discusses a work or theme of current interest
England v. Australia at Lord's
Fourth day
Ball-by-ball commentaries by JOHN ARLOTT
ROBERT Hudson
ALAN McGilvray the visiting commentator with comments and summaries by Trevor Bailey
E. W. SWANTON
Norman Yardley
See page 39
Last in a series of eight programmes on how the most fundamental of the biological sciences is being used in a new technology
8: Elective Selection by PROFESSOR T. M. SONNEBORN
University of Indiana
The possibilities suggested by the application of genetics to man seem, at the moment, to be almost frightening. Professor Sonneborn suggests that this is simply due to their novelty. He maintains that we will accept them as and when they become available, just as we have come to accept contraception and therapeutic abortion as part of our social behaviour.
Recorded for the BBC at the University of Indiana
From the English Bach Festival
Regine Crespin (soprano)
Peter Schidlof (viola)
BBC Symphony Orchestra Leader, Hugh Bean
Conductor, Colin Davis
From the Town Hall, Oxford Berlioz Part 1
Overture: Les francs-juges
8.17* Song-cycle: Nuits d'été
by LAURENCE KITCHIN
Mr. Kitchin surveys the current state of the theatre and analyses ways out of what he sees as its main dilemmas. For Stanislavsky, he reminds us, the mirror was a technical aid. For today's theatre, he argues, it is an instrument of narcissism.
Berlioz
Part 2
Symphony: Harold in Italy
A programme In which different interpretations on gramophone records are compared
Denis ARNOLD
Senior Lecturer in Music in the University of Hull discusses some of the problems arising out of the interpretation of the Monteverdi Vespers as recorded by ROBERT CRAFT, HANS GRlSCHKAT
JÜRGEN JÜRGENS, ANTHONY LEWIS DENIS STEVENS , and others
Last of six programmes In which
MAX ROSTAL has played all Bach's
Partitas and Sonatas for violin
Partita in E major followed by an interlude at 10.55
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