gramophone records
gramophone records
The Venetians:
Alblnoni Marcello , Vivaldi
STANISLAV HELLER (harpsichord)
BASIL LAM ENSEMBLE Patrick Halling (violin) Marjorie Lavers (violin) Peter Halling (cello)
Basil Lam (harpsichord)
0 A programme of recently released records
Trio OF London
Carmel Kaine (violin) Peter Willison (cello) Philip Jenkins (piano) LIZA FUCHSOVA (piano)
IONA BROWN (violin)
BBC Scottish Symphony ORCHESTRA
Leader, Tom Rowlette
Conductor, JAMES LOUGHRAN
1.0 News; Weather
BBC CONCERT ORCHESTRA Leader, Arthur Leavins
Conductor. MARCUS Dods
Gloriana
An opera in three acts
Libretto by WILLIAM PLOMER
Music by Benjamin Britten
From the Maltings, Snape
The action takes place during the later years of the reign of Queen Elizabeth I.
See page 37
ACT 1
3.40 ACT 2
4.45 ACT 3
During the Intervals
First interval (3.20*-3.40*)
† WILLIAM PLOMER , the librettist of Gloriana, reminisces about the origin of the opera
Second interval (4.25*-4.45*)
Byrd Pavan and Galliard Fantasia No. 2 a 6 Miserere
Fantasia No. 3 a 3 THE LEONHARDT CONSORT
gramophone record
Four Studies in Rhythm lie de feu I
Node de valeurs et d'intensites Neumes rythmiQues Ilede feu II played by ERIKA HAASE (piano)
FELIX APRAHAMIAN looks at some non-broadcast musical events taking place in the West. Wales, and Scotland during the next fortnight
See page 39
A series of four discussions
Led by Brian Beedham of The Economist
Each discussion with a different main speaker, has been broadcast from a different university
4: National Purpose in the Seventies
From the Gustav Tuck Theatre, University College, London
Is there such a thing as a national purpose-and. if there is. how can it be defined for the 1970s?
Main Speaker
ALASTAIR BURNET
Editor of The Economist
BERNARD CRICK
Professor of political Theory and Institutions, Sheffield University ALAIN JACOB of Le Monde
ANGUS MAUDE , m.p.
BRIAN WALDEN, M.P.
Produced by George Fischer
Postponed from June 6
Cantores in Ecclesia
Conductor, Michael Howard Ralph Downes (organ)
Part 1
Three talks on * process theology' its principles and prospects 3: Process theology: a critical view by JOHN HICK
H. G. Wood Professor in the Department of Theology University of Birmingham
' It can be-it always has been— dangerous for Christianity to become closely bound up with a particular philosophical system.'
Part 2
Recorded at a public concert given in the Queen Elizabeth Hall. London. on February 6
by MISS ETHEL HATCH
On her first day at the Slade, Miss Hatch found herself sitting next to the sixteen-year-old Augustus John, who was 'very quiet and polite.' Her recollections of the art students of the Nineties take us into a far distant world.
Second broadcast
Quintet in C major, Op. 37
No. 1
ACADEMY OF
ST. MARTIN-IN-THE-FIELDS gramophone record
