Programme Index

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AEOLIAN STRING QUARTET
Sydney Humphreys (violin)
Raymond Keenlyside (violin) Watson Forbes (viola) Derek Simpson (cello) with Gwynne Edwards (viola) John Moore (cello)
Quartet No. 2 Robert Simpson
Second of five programmes including quintets and sextets by Brahms Sextet in G major, Op. 36:
February 23

Contributors

Violin:
Raymond Keenlyside
Viola:
Watson Forbes
Cello:
Derek Simpson
Viola:
Gwynne Edwards
Cello:
John Moore
Unknown:
Robert Simpson

A satyr play in two acts by Paul Claudel translated by NORA RATCLIFF and adapted for radio by Raymond Raikes
Music by ANTONY HOPKINS with John Sharp as Proteus
Fenella Fielding as The nymph
Bryony
Tony Britton as Menelaus June Tobin as Helen
Denys Blakelock as Hyacinth, the satyr major-domo
Chorus of satyrs spoken by members of the BBC Drama Repertory Company and sung by the Ambrosian Singers with A Protean Orchestra conducted by the composer
Scene: The island of Naxos. ' somewhere between Crete and Egypt for the moment.' '
Produced by RAYMOND RAIKES
Third broadcast

Contributors

Unknown:
Paul Claudel
Translated By:
Nora Ratcliff
Unknown:
Raymond Raikes
Music By:
Antony Hopkins
Unknown:
John Sharp
Unknown:
Tony Britton
Unknown:
Menelaus June Tobin
Unknown:
Denys Blakelock
Produced By:
Raymond Raikes

Church Cantata No. 78:
Jesu, der du meine
Seele URSULA BUCKEL (soprano)
HERTHA TÖPPER (contralto)
JOHN VAN KESTEREN (tenor)
KIETH ENGEN (bass)
MUNICH BACH CHOIR
ANSBACH BACH-WEEK Ensemble Conducted by KARL RICHTER on a gramophone record

Contributors

Soprano:
Seele Ursula Buckel
Tenor:
John van Kesteren
Bass:
Kieth Engen
Conducted By:
Karl Richter

by MARTIN COOPER
The great Roman Catholic thinker Friedrich von Hiigel (18521925) believed in reconciling two apparently contradictory principles: Liberty and Authority, Intellect and Intuition. Suffering and a Loving God. His letters reflect this preoccupation in a -personal and uncompromising way.
Second broadcast

Contributors

Unknown:
Martin Cooper

Third Programme

Appears in

About this data

This data is drawn from the Radio Times magazine between 1923 and 2009. It shows what was scheduled to be broadcast, meaning it was subject to change and may not be accurate. More