A weekly review of the arts
The Cinema of Catastrophe
The cinema has always reflected, consciously or not, periods of social and political unrest, and has often done so in terms of catastrophe-whether it be real or imagined, an act of God or man, whether used as an example or a forecast
LAURENCE KITCHIN
PAUL MAYERSBERG , ERIC RHODE and David SYLVESTER discuss Stanley Kubrick 's new film Dr. Strangelove and its relationship to other films of a similar kind
Introduced by GEORGE MACBETH

Melos Ensemble
Anthony Jennings (E flat clarinet) Gervase de Peyer (clarinet) Stephen Trier (bass-clarinet)
William Waterhouse (bassoon) Neill Sanders (horn)
Emanuel Hurwitz (violin) Cecil Aronowitz (viola) Terence Weil (cello)
Lamar Crowson (piano)
Schola Polyphonica
Director, Henry Washington

Given before an Invited audience in the Concert Hall, Broadcasting House, London. Applications for tickets, enclosing a stamped addressed envelope. should be sent to [address removed]. See page 26

Studies in the Middle Ages
The final talks in this series are intended to illustrate three decisive moments of change in the history of Western Christendom.
11: Anselmby R. W. SOUTHERN
Chichele Professor of Modern History, University of Oxford Anselm. Archbishop of Canterbury from 1093 to 1109, was the first medieval theologian who asked modern questions and answered them in a modern way.
Meister Eckhart : Feb. 11

Part 2

by Rhys Adrian
Arthur: Then why hint to the boy?
Charlie; I don'hint to him. He hints to me. He's a nice boy. I like him. If he sees me in a certain way-why disappoint him?
Other parts played by members of the BBC Drama Repertory Company
Produced by MICHAEL BAKEWELL
Third broadcast