Quartet No. 3, Op. 22 played by the Kroll String Quartet William Kroll (violin) Louis Graeler (violin)
David Mankowitz (viola)
Avron Twerdowsky (cello)
: second broadcast

by Patrick Seale of St. Antony's College, Oxford
The recent events in Syria must be set against a background of Arab politics thrown into confusion by the destruction of the Syrian-Egyptian union. In this talk, first broadcast on March 24 and now revised to take account of subsequent events in Syria, Mr. Seale argues that the Arab states are now undergoing a reappraisal of their policies as painful as any they have had to face since the Palestine War.

Jose Kahan (piano) Bach
Prelude and Fugue in E flat major
(Well-tempered Clavier. Book 2)
Chromatic Fantasy and Fugue
Chopin
Nocturne in B flat minor, Op. 9 No. 1 Two Mazurkas: in A minor, Op. 17 No. 4 in A minor, Op. 67 No. 4
Polonaise in F sharp minor, Op. 44

The Medieval Cornish Play translated into English verse and adapted for broadcasting by TERENCE TILLER
Music composed by Elizabeth Poston A section of the New Symphony Orchestra conducted by Douglas Robinson with Robert Harris
Cast in order of speaking:
Production by Terence Tiller
: a new version of the programme first broadcast in 1949

Leader, Bruno Belcik
Conductor, Karel Ancerl
PART 1

by D.W. Elliott, Professor of Law at King's College Newcastle-upon-Tyne, in the University of Durham

What is meant when a jury is said to be unanimous? Is genuine unanimity possible to obtain? How should a judge direct a jury which confesses itself in difficulties? What pressure may he apply to secure unanimity?
These are some of the questions Professor Elliott considers in his talk.

PART 2

First of two illustrated talks on the music of Japan by Eta Harich-Schneider
In primitive society music was an important means of invoking protection against the powers of darkness. Eta Harich-Schneider shows that the ritual sound as a means of magic still survives in many Japanese shrines and temples.

Arias from
Rodelinda and Radamlstt sung by Russell Oberlin (counter-tenor) with the Baroque Chamber Orchestra
Conductor, Thomas Dunn on a gramophone record