soprano with Ars Musicae directed by Jose M. Lamafla
Spanish Songs of the Renaissance on a gramophone record
Three talks by Peter Laslett
Lecturer in History in the University of Cambridge
1: English Society in 1901 This first talk deals with the problem of poverty among working-class people in the year of Queen Victoria's death and the paradox of poverty in the most industrial society of the world as it then was. In this respect, above all, English 20th-century experience has been unique and possibly prophetic. : second broadcast The Solid Middle Class: March 25
Charles McGuire (flute)
Janine Rubinlicht (violin)
Robert Kohnen (harpsichord) Wieland Kuyken (viola da gamba) Rameau
Pièces de clavecin en concerts:
Premier Concert: La Coulicam; La
Livri: Le Vezinet
Cinquieme Concert: La Forqueray;
La Cupis; La Marais
Ibert
Two Interludes for flute, violin, and harpsichord
Soko Risina Musoro by H. W. CHITEPO
Translated from the Shona and introduced by HAZEL CARTER
Adapted for broadcasting and produced by TERENCE TILLER
Shona is an African language of the Bantu group. This epic-dramatic poem, recently composed, is the first of its kind in that language. with Diana Olsson , Frank Duncan Deryck Guyler. Godfrey Kenton Tom Lake. Philip Leaver
Will Leighton , Philip Madoc and Eric Phillips
; second broadcast
Fredell Lack (violin)
Douglas Moore (horn)
BBC Symphony Orchestra Leader, Paul Beard
Conductor, Rudolf Schwarz
PART 1 ,
by Norman Marsh
Director of the British Institute of International and Comparative Law
Professor Cowen of Cape Town published a book last year with this title. Primarily concerned with South
Africa, he made an extensive analysis of the questions involved in any doctrine of human rights. Mr. Marsh considers some of these question*.
PART 2
An illustrated talk by Arthur Hedley
When Chopin died in 1849 his style of playing his own music died with him. The nineteenth-century image of his playing was coloured largely by the memoirs of those who heard him and the style of the virtuoso pianists who flourished at the close of the century. Arthur Hedley discusses the way in which the interpretation of Chopin has changed since then.
Noctes Intelligibilis Lucts first performance in this country played by Heinz Holliger (oboe)
Edith Picht-Axenfeld (harpsichord)
A recording from the Darmstadt Festival, 1961, made available by courtesy of Hessischer Rundfunk.
