Sybil Michelow (contralto) Paul Hamburger (piano) Janet Craxton (oboe) Oromonte String Trio Perry Hart (violin)
Margaret Major (viola) Bruno Schrecker (cello)
Jeannette SINCLAIR (soprano) MAUREEN LEHANE (contralto) JOHN MITCHINSON (tenor) HERVEY ALAN (bass)
Richard Taylor (flute)
Christopher Hyde-Smith (flute) Neville Marriner (violin) Simon Streatfeild (viola)
Desmond Dupr (viola da gamba) Joy Hall (viola da gamba) Bernard Richards (cello)
Francis Baines (double-bass) Colin Mawby (organ) BBC CHORUS
Conductor, Peter Gellhorn Part 1
See page 43

by Paul Mayersberg
Mr. Mayersberg believes that the role of the spectator in the cinema is uniquely important, because the director must use his viewpoint to focus his ideas. He discusses the work of Preminger, Antonioni, Godard, and Resnais (among others) in an analysis of the four main kinds of film which result from pursuing the implications of the spectator's unique role to its logical conclusion.

Part 2
Jeannette Sinclair broadcasts by permission of the General Administrator of the Royal Opera House Cnvent Garden, Ltd.

on Robert Graves
The first of three programmes in which W. H. Auden reads and discusses his own selection from the poetry of Robert Graves.
Produced by D. G. BRIDSON

Piano Concerto No. 1, in E minor
Maurizio Pollini Philharmonia Orchestra conducted by Paul Kletzki on a gramophone record