Paul Baumgartner (piano)
A conversation about aome of Malaya'si problems between Ungku Aziz and Doreen- Warriner
Ungku Aziz was recently appointed Head of the Economics Department in the University of Malaya. Doreen Warriner is author of Land Reform and Development in the Middle East.
La casa sulV acqua by UGO BETTI
Translated and adapted for radio by Henry Reed , with Peter Woodthorpe , Judi Dench and Jack May
This is Betti's second play. The scene is set in an old family-house out on the waters of a wintry lake in northern Italy. Luca, Peter Woodthorpe ; Orsola and Benedetto, servants, Gladys Spencer and Julian Somers ; Marta. Francesco's wife, Betty Hardy ; Elli, Judi Dench ; Francesco, Luca's elder brother,Jack May
Production by RAYMOND RAIKES
An opera in a prologue and two acts
Libretto by Myfanwy Piper after the story by Henry James
Music by BENJAMIN BRITTEN
Cast
English Opera Group Orchestra CONDUCTED BY THE COMPOSER on gramophone records
The action takes place in and around Bly,
-a country-house in the East of England, in the middle of the last century. ACT 1
Prologue; Scene 1, The Journey; Scene 2, The Welcome; Scene 3, The Letter; Scene 4, The Tower; Scene S, The Window; Scene 6, The Lesson; Scent 7, The Lake; Scene 8, At Night
by Eugene Rostow, Professor of Law and Dean of the Law School, Yale University
No legal system can erect an unbreakable wall between the individual and the public interest, valid at all times. Young people may dress up in uniforms and play at being fascists, and this may seem harmless folly in peacetime; but in the thirties, say, when clouds gathered, are we to say that the State should have taken no action against such threats?
Acr 2
Scene 1, Colloquy and Soliloquy; Scene 2, The Bells; Scene 3, Miss Jessel; Scene 4, The Bedroom; Scene 5, Quint; Scene 6, The Piano; Scene 7, Flora; Scene 9, Miles
A discussion in which Nathalie Sarraute , Alain Robbe-Grillet , and Marguerite Duras are questioned by William Golding and Rayner Heppenstall
What are the aims of each of these French new novelists? Have form and detail for them taken the place of philosophical, political, or religious content? Is their thinking communicable at all to English novelists?
SuiteNo. 1, In. G for unaccompanied cello played by Christopher Bunting
