by David Lindsay
Crystalman ... is but a shadow on the face of Muspel
Dramatic script and production by E. J. King Bull
DURING the INTERVAL (7.30-7.45 app.):
Dittersdorf
Partita in D played by the London Baroque Ensemble
Conductor, Karl Haas on gramophone records
Violin Concerto
Milstein (violin)
Pittsburgh Symphony Orchestra
Conductor, William Steinberg on gramophone records
A monthly report on the arts, science, and politics abroad
Compiled by Alan Pryce-Jones
This month's Foreign Review includes an account by James Joll , Fellow of St. Antony's College, Oxford, Of a recent international meeting in Munich which discussed the history of the Nazi period; and an illustrated talk by Howard Hartog on the International Society of Contemporary Music Festival which took place earlier this month in Stockholm.
To be repeated on July 6
(died June 1656)
Last of three programmes devised by Margaret Field-Hyde
Anthems:
Turn unto the Lord When David heard
Five Pieces for organ Anthem:
Wee is me
(Continued in next column)
Song with organ:
Behold the hour cometh
Anthem-
0 pray for the peace of Jerusalem Choir of Salisbury Cathedral
Master of the Choristers,
Douglas Guest
Christopher Dearnley (organ)
A programme of readings in Latin and English
Introduced by F. R. Dale
Can the original metres of Horace's odes be reproduced in English? Mr. Dale presents three of his own translations, and four others by Milton, Clough, Calverley, and J. B. Leishman , as examples of the different techniques that may be used.
Quartet No. 2, in E flat, Op. 73 played by the Allegri String Quartet:
Eli Goren , James Barton
Patrick Ireland, William Pleette
'
Last of seven programmes
