Programme Index

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Gareth Morris (flute)
London String Trio:
Emanuel Hurwitz (violin)
Watson Forbes (viola) Vivian Joseph (cello)
Serenade in G. Op. 141a, for flute, violin, and viola
String Trio in D minor, Op. 141b
Second of two programmes of music by Reger

Contributors

Flute:
Gareth Morris
Violin:
Emanuel Hurwitz
Viola:
Watson Forbes
Cello:
Vivian Joseph

A group of four illustrated talks by W. H. George, Ph.D.,F.Inst.P.
Department of Physics,
Chelsea Polytechnic
1—Musical Acoustics
Despite the great developments in acoustics since the start of broadcasting, many problems in musical acoustics are still treated in terms of, for example, the experiments of Helmholtz. As a result, a wide gap separates music and musical acoustics. In his first talk Dr. George discusses recent acoustic experiments and the changes in outlook needed for their interpretation.
Next talk: June 18

Contributors

Unknown:
W. H. George, Ph.D.,f.Inst.P.

Nan Merriman (mezzo-soprano) with Gerald Moore (piano)
Robert Casadesus and Gaby Casadesus
(piano duet) on gramophone records
Songs:
Le temps des lilas (Chausson) Ici-bas (FaurS)
Fetes galantes (first series) (Debussy): En sourdine; Fantoches; Clair de lune
Suite for piano duet: Ma Mere I'Oye
(Ravel)
Songs:
Ouvre ton coeur (Bizet)
Combat del somni (Mompou):
Damunt de tu nomes les flors; Aquesta nit un mateix vent; Jo et pressentia corn la mar

Contributors

Mezzo-Soprano:
Nan Merriman
Piano:
Gerald Moore
Piano:
Robert Casadesus
Piano:
Gaby Casadesus

Talk by the Rev. H. L. Short of Manchester College, Oxford
Many factors have gone to the making of the Free Churches in this country. Their buildings have sometimes been described as ugly and sometimes as inappropriate. Mr. Short talks about some of the factors that made for design in Nonconformist churches.
(The recorded broadcast of March 12)

Contributors

Unknown:
Rev. H. L. Short

Third Programme

About this data

This data is drawn from the Radio Times magazine between 1923 and 2009. It shows what was scheduled to be broadcast, meaning it was subject to change and may not be accurate. More