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Mass in C (Dominicus)
(K.66)
Kyrie; Gloria; Credo; Sanctus:
Benediotus: Agnus Dei
Eilidh McNa. b (soprano)
Pamela Bowden (contralto)
Lloyd Strauss-Smith (tenor)
George Jiames (bass)
BBC Chorus
(Chorus-Master, Leslie Woodgaite )
Charles Spinks (organ)
London Chamber Orchestra
(Leader, Andrew Cooper )
Conductor, Anthony Bernard From Hampstead Parish Church,
London
This is the second of a series of programmes of lesser-known dhoral works by Mozart. The Mass in C minor (K.139) will be broadcast on March 26.
Mozart wrote the Mass in C (K.66) in Salzburg when he was thirteen. He composed it for the ordination of Cajetan Hagenauer (a son of the Mozart family's landlord), who had entered the Benedictine monastery of St. Peter some years before, when the Mozarts were on their grand tou.r of Europe. The work was performed at the monastery on October 15 1769, when Hagenauer celebrated his first solemn Higth Mass as ' Pater Dominicus '—hence its title. Four years later it was given at rhe Imperial Court in Vienna, with Leopold Mozart conducting. D.C.

Contributors

Unknown:
Agnus Dei
Unknown:
Eilidh McNa.
Contralto:
Pamela Bowden
Tenor:
Lloyd Strauss-Smith
Bass:
George Jiames
Chorus-Master:
Leslie Woodgaite
Chorus-Master:
Charles Spinks
Leader:
Andrew Cooper
Conductor:
Anthony Bernard
Unknown:
Cajetan Hagenauer
Unknown:
Pater Dominicus
Unknown:
Leopold Mozart

by W.B. Yeats
with music specially composed by John Buckland
The orchestra conducted by Patrick Savill
Radio adaptation and production by Frederick Bradnum
Cast in order of speaking:

The place is first at an open space between three streets just before dawn; then in the castle throne-room the same morning.

The Player Queen is play with a terrible theme: it says that evil can triumph in the contemporary world, and it shows this happening. But the prophetic message is only apparent upon reflection, which is probably as it should be. The symbolism never intrudes into the action. The play is essentially entertainment, at times extremely funny in a clownish, knock-about way. Septimus, the drunken poet, is almost a comic figure, a man whose enjoyment of his own behaviour obscures the tragedy of that behaviour. (F.B.)

Contributors

Author:
W.B. Yeats
Composed By:
John Buckland
Conducted By:
Patrick Savill
Production:
Frederick Bradnum
First Old Man:
Rupert Davies
Second Old Man:
Derek Birch
Septimus, a poet:
Brian Wilde
Third Old Man:
Seymour Green
Old Woman:
Eileen Thorndike
Happy Tom, a popular poet:
Douglas Hayes
Peter, another popular poet:
Elliot Playfair
First Citizen:
Max Brimmell
Second Citizen:
Marvin Kane
Third Citizen:
Anthony Jemmett
First Countryman:
Douglas Hayes
Second Countryman:
Elliot Playfair
Third Countryman:
Patrick Westwood
A Big Countryman:
Victor Platt
Tapster:
Seymour Green
An Old Beggar:
John Cazabon
Decima the Player Queen:
Maxine Audley
First Player:
Seymour Green
Second Player:
Max Brimmeu
Stage Manager:
Derek Birch
The Prime Minister:
Eric Anderson
Nona, an actress:
Betty Baskcomb
The Queen:
Andrea Lea
The Bishop:
Rupert Davies

Third Programme

Appears in

About this data

This data is drawn from the Radio Times magazine between 1923 and 2009. It shows what was scheduled to be broadcast, meaning it was subject to change and may not be accurate. More