Variations on a German air, Der
Schweizerbub, Op. posth.
Sonata No. 1, in C minor. Op. 4 played by Robert Goldsand (piano) on gramophone records

(' II Giuoco delle Parti') by Luigi Pirandello
Translated by Noel Cregeen and adapted for broadcasting by Robert Rietty
Produced by Wilfrid Grantham
Cast in order of speaking:
Other parts played by Arthur Lawrence , Garard Green
Alan Reid , Wyndham Milligan
Brian Hayes , Mary Williams and Virginia Winter

Messa a 4 voci dia capaila sung by the BBC West of England Singers
Conductor, Reginald Redman
Monteverdi is known to have composed a number of Masses, but only three have been preserved. Two were published by the composer himself in 1610 and 1641 respectively, as part of collections of Liturgical music in which the Masses (for unaccompanied voices) form a curious contrast to the more modern style of the other works. Monteverdi's third Mass (for unaccompanied voices in four parts with an ad libitum organ continuo) was printed posthumously in 1651. This work although written in a style resembling that of Palestrina, has many characteristic touches. Dr. Hans F. Redlich, whose recent edition of the work is being used tonight, believes it to show a thematic economy and coherence unparalleled in the liturgical music of that time.

John Wain reviews the recently published ' Selected Poems by Wallace Stevens '
Poems by Wallace Stevens
Read by Guy Kingsley Poynter

Stuttgart Chamber Orchestra Conductor, Karl Munchinger
Willy Glas (flute)
Karl Friedrich Mess (flute) Werner Krotzinger (violin)
Siegfried Barchet (cello continuo)
Irmgard Lechner (harpsichord)
Last of three programmes that have included Bach's six Brandenburg Concertos.

by the Rt. Rev. A. T. S. Nygren
Bishop of Lund, Sweden
A broadcast version of a sermon g-ven before delegates to the third World Conference on Faith and Order, which met in Lund last August.

Oda Slobodskaya (soprano)
The Wigmore Ensemble:
Geoffrey Gilbert (flute) Jack Brymer (clarinet) Marie Korchinska (harp)
Jean Pougnet (violin) Thomas Carter (violin) Frederick Riddle (viola)
William Pleeth (cello)
Eugene Cruft (double-bass) with Gareth Morris (flute)
Stephen Waters (clarinet) and Walter Lear (bass-clarinet)

Talk by L. A. Abraham
In recent months it haa been made dear that there is some uncertainty as to the precise scope and nature of Parliamentary Privilege. L. A. Abraham, a Principal
Clerk in the House of Commons, who has made a special study of the subject, considers how far there is in fact any ground for uncertainty.