Trio in B flat, Op. 11 played by Jack Brymer (clarinet)
Anthony Pini (cello)
Wilfrid Parry (piano)
A series of eight lectures by the Rev. V. A. Demant , Regius Professor of Moral and Pastoral Theology and Canon of Christ Church, Oxford
5-The Criticism of Religion
The religious attitude to social changes and their subsequent effect on the community varies. When society takes on the value of an absolute. religion is bound to be critical Canon Demant deals with the various types of religious attitude and explains the revolutionary criticism of religion, namely that ' it makes for reaction, it averts attention from this world, it ascribes to sinfulness what is remediable social injustice.' He examines two main types of criticism under this head. The first is that religion takes man too far out of Nature; it is idealist and produces a false schism in man. The second is the contrary, that religion makes too much of man's participation in Nature.
Cambridge University
Madrigal Society
Conductor, Boris Ord
London Consort of Viols:
Harry Danks (treble viol)
Stanley Wootton (treble viol)
Jacqueline Townahend (tenor viol)
Sylvia PutteriU (tenor viol)
Henry Revell (bass viol)
Robert Donington (bass viol)
(s).
Fifth of six programmes of madrigals
The Problem of Political Advance in the Colonies by the Rt. Hon. Arthur Creech Jones
The late Secretary of State for the Colonies considers the criticisms sometimes levelled against Britain on her Colonial policy, and examines the question of whether political advance should wait on economic advance.
John Wolfe (oboe) Roger Lord (oboe)
Frederick Grinke (violin)
David Martin (violin)
James Whitehead (cello)
Arnold Goldsbrough (harpsichord)
Trio Sonata in G minor, for two violins and continuo
Trio Sonata in B flat, for two oboes and continuo
Trio Sonata in D, for two violins and continuo
Second of two programmes of Handel's chamber music
A talk by Harold Nicolson on the seventy-fifth anniversary of Thomas Mann's birth
A dramatic epilogue by Henrik Ibsen
Arranged for radio in a new translation by Peter Watts
(Continued in next column)
Act 1
The Valleyc-the terrace of a hydro
Act 2
The Hillside-a mountain resort
Act 3
The Heights
Textual adviser, M. C. Bradbrook
Produced by Peter Watts
Shakespeare and English Painting
Talk by John Woodward -
Variations and Fugue on a Theme of Mozart, Op. 132 A played by Robert South and Joan South (two pianos)
