Professor Le Roux Smith Le Roux reviews the exhibition of British painting now showing at the White-chapel Galleries
Herbert Downes (viola)
BBC Scottish Orchestra (Leader. J. Mouland Begbie )
Conductor, Ian Whyte
Christopher Hollis reviews the recently published book by David .Nlchol Smith.
Claudio Arrau (piano)
Polonaise in F sharp minor. Op. 44 Berceuse, Op. 57
Allegro de Concert
Two Studies, Op. 10: No. 8. In B;
No. 4, in C sharp minor
What is a Colour Bar?
Talk by Kenneth Little, Ph.D.
The speaker gives an account of the several different types of racial segregation, and he analyses present-day conditions in various countries where there is a mixed population.
First of four talks
Margaret Field-Hyde (soprano)
Anne Wood (contralto)
John Kentish (tenor)
Trevor Anthony (bass)
Continuo: Raymond Clark (cello)
Basil Lam (harpsichord) and Geraint Jones (organ)
Covent Garden Chorus
(Chorus-Master. Douglas Robinson )
Philharmonia Orchestra
(Leader. Max Salpeter )
Conducted by Anthony Lewis
Psalm 150
The Parable of the Sower: Es glng ein Samann aus
Mein Herz 1st bereit
Saul on the road to Damascus: Saul.
Saul, was verfolgst du mich
(Continued In next column)
Der Herr ist meine Starke Zion sprlcht
This programme. arranged by Anthony Lewis , is the fifth of a series of six
The best benefits that Sariel could shower upon the bare stones of Aran would be a few showers of clay
A feature programme written and produced by W. R. Rodgers West of Ireland, on the bleak and stormy edge of Europe, lie the Aran Islands. With prodigious labour and hardship, generations of islanders have covered the bare rocks with soil, and this wilderness of stone has become one of the richest and most colourful pockets of Gaelic life and tradition.
Quartet in E flat, Op. 87 played by the Robert Masters Piano Quartet:
Robert Masters (violin) Nannie Jamieson ' (viola)
Muriel Taylor (cello)
Kinloch Anderson (piano)
John Donne
Talk by J.-B. Leishman, Senior Lecturer in English Literature at Oxford University
The speaker' believes that most modem critics take Donne's dialectic technique and philosophic references too seriously; he agrees with Dryden that Donne merely 'affects the Metaphysics' and claims that, however argumentative, he is essentially an unphilosophic poet.
(The recorded broadcast of April 17)
Fourth of a series of talks
by Gerald Finzi
Words by Robert Bridges sung by the Lady Margaret Singers
Conductor, George Guest
I praise the tender flower
I have loved flowers that fade My spirit sang all day
Clear and gentle stream Nightingales
Haste on. my joys
Wherefore tonight so full ot care