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Margaret Field-Hyde (soprano)
Anne Wood (contralto)
John Kentish (tenor)
Trevor Anthony (bass)
Continuo: Raymond Clark (cello)
Basil Lam (harpsichord) and Geraint Jones (organ)
Covent Garden Chorus
(Chorus-Master. Douglas Robinson )
Philharmonia Orchestra
(Leader. Max Salpeter )
Conducted by Anthony Lewis
Psalm 150
The Parable of the Sower: Es glng ein Samann aus
Mein Herz 1st bereit
Saul on the road to Damascus: Saul.
Saul, was verfolgst du mich
(Continued In next column)
Der Herr ist meine Starke Zion sprlcht
This programme. arranged by Anthony Lewis , is the fifth of a series of six

Contributors

Soprano:
Margaret Field-Hyde
Contralto:
Anne Wood
Tenor:
John Kentish
Bass:
Trevor Anthony
Cello:
Raymond Clark
Harpsichord:
Basil Lam
Harpsichord:
Geraint Jones
Chorus-Master:
Douglas Robinson
Leader:
Max Salpeter
Conducted By:
Anthony Lewis
Arranged By:
Anthony Lewis

The best benefits that Sariel could shower upon the bare stones of Aran would be a few showers of clay
A feature programme written and produced by W. R. Rodgers West of Ireland, on the bleak and stormy edge of Europe, lie the Aran Islands. With prodigious labour and hardship, generations of islanders have covered the bare rocks with soil, and this wilderness of stone has become one of the richest and most colourful pockets of Gaelic life and tradition.

Contributors

Produced By:
W. R. Rodgers

John Donne
Talk by J.-B. Leishman, Senior Lecturer in English Literature at Oxford University
The speaker' believes that most modem critics take Donne's dialectic technique and philosophic references too seriously; he agrees with Dryden that Donne merely 'affects the Metaphysics' and claims that, however argumentative, he is essentially an unphilosophic poet.
(The recorded broadcast of April 17)
Fourth of a series of talks

Contributors

Unknown:
John Donne

Third Programme

About this data

This data is drawn from the Radio Times magazine between 1923 and 2009. It shows what was scheduled to be broadcast, meaning it was subject to change and may not be accurate. More