by Stefanle Fone
Next story chosen for broadcasting in this competition: Friday at 6.20
played by Aimée van de Wiele
Three lute pieces transcribed for harpsichord :
First of four recitals of French harpsichord music played by Aimee van de Wiele
A series of ten readings from the English translation by René Hague 2-The treachery of Guenelun in the camp of the pagan king. Marsiliun and Guenelun a return to Charles's army
Reader, Hallam Fordham
Music composed by Antony Hopkins
The passing of a traditional way of life in the Outer Hebrides
Written by David Thomson , with Dr. Werner Kissling of the University Museum of Archaeology and Ethnology, Cambridge, and Colum Maclean of the Irish Folklore Commission
Traditional storyteller:
Duncan MacDonald of South Uist
Traditional singers:
Calum Johnston and Mrs. Kate Buchanan of Barra
Production by David Thomson
Sophie Wyss (soprano)
Piet Lentz (viola da gamba)
The Boyd Neel Orchestra
Conductor, Boyd Neel
Talk by Algernon Cecil
(The recorded broadcast of Dec. 19)
The talk is followed by a reading of the Marquess of Salisbury's memorandum in reply to Lord Lansdowne's project of an Anglo-German alliance
Marie Wilson (violin) Liza Fuchsova (piano)
Amadeus String Quartet
Sonata, Op. 57, for violin and piano
Humoresque, Op. 101 No. 5, for piano
Two Waltzes. Op. 54 Nos. 1 and 4
String Quartet in A flat. Op. 105
First of 8 concerts of Dvorak's music
This listing contains language that some may find offensive.
Settings of poems by Goethe
Harfenspieler Lieder: Wer sich der
Einsamkeit ergibt; An die Ttiren will ich schleichen; Wer nie sein Brod mit Thranen ass: Herbert Janssen (baritone), Coenraad van Bos (piano)
Die Bekehrte; Gleieh und glelch:
Alexandra Trlanti (soprano). Coenraad van Bos (piano)
Ganymed: John McCormack (tenor),
Edwin Schneider (piano) on gramophone record*