The proposals for a theatre specially designed for the study of dramatic production, recently published in the Report of the Oxford University Drama Commission, are described by Nevill Coghill, Fellow of Exeter College, Oxford, who was a member of the Commission.
Conducted by Michael Mudie
Dennis Brain (horn) followed by an interlude at 7.20
Secondof a series of weekly commentaries on current affairs by the Editor of The Economist
Translated by Rex Warner with Pauline Letts and Leon Quartermaine
Music composed and conducted by Norman Demuth
Production by Mary Hope Allen
Ninon Vallin (soprano)
Jacques Fevrier (piano)
from the Augustans, Wordsworth, the Pre-Raphaelites, and the poetry of the nineties
Readers: Rhoda Fagan
Reginald Beckwith , Alastair Duncan
Production by James McFarlan
This programme illustrates the talk by Julian Symons on Monday
London Harpsichord Ensemble:
John Francis (flute) Joy Boughton (oboe)
Stephen Waters (clarinet) Edward Wilson tbassoon) Emanuel Hurwitz (violin)
Hans Geiger (violin) Bernard Davis (viola)
George Roth (cello)
Millicent Silver
(piano and harpsichord)
An unrehearsed discussion between Denis Johnston and Frank O'Connor
