Programme Index

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A discussion between
R. C. Oldfield and John Maddison
The Cinema presents a number of problems in the field of the social sciences. Recently L'Association pour la Recherche Filmologique invited a number of psychologists, film technicians, and others to meet at the Sorbonne and discuss these problems.
R. C. Oldfield , Lecturer in General
Psychology at Oxford University, and John Maddison , an expert in the educational uses of the Cinema, were present at this first international conference of its kind, and tonight they talk about its implications

Contributors

Unknown:
R. C. Oldfield
Unknown:
John Maddison
Unknown:
R. C. Oldfield
Unknown:
John Maddison

given by the Morley College Concerts Society
Margaret Ritchie (soprano)
Alfred Deller (counter-tenor)
Duncan Thomson (counter-tenor)
Peter Pears (tenor)
Robert Irwin (baritone)
Morley College Choir
New London Orchestra (Leader, Max Salpeter )
Walter Bergmann (harpsichord)
Geraint Jones (organ)
Conducted by Michael Tippett and Walter Goehr
Part 1
(Conducted by Walter Goehr )

Contributors

Soprano:
Margaret Ritchie
Soprano:
Alfred Deller
Unknown:
Duncan Thomson
Tenor:
Peter Pears
Baritone:
Robert Irwin
Leader:
Max Salpeter
Harpsichord:
Walter Bergmann
Harpsichord:
Geraint Jones
Conducted By:
Michael Tippett
Conducted By:
Walter Goehr
Conducted By:
Walter Goehr

I-Introduction by Christopher Sykes
For generations the British-both men and women-have felt the attraction of Arabia, whether as explorers, soldiers, administrators, tourists, or fugitives from a more elaborate civilisation. What is the nature of this attraction?
The series of talks that
Christopher Sykes introduces tonight will examine the question from various points of view-some speakers making deductions from their own experience, others examining the careers of exceptional personalities who have felt the Arabian spell.

Contributors

Unknown:
Christopher Sykes
Introduces:
Christopher Sykes

Third Programme

Appears in

About this data

This data is drawn from the Radio Times magazine between 1923 and 2009. It shows what was scheduled to be broadcast, meaning it was subject to change and may not be accurate. More