from the Gaumont State, Kilburn

Recordings by Claudio Arrau
(pianoforte)
Fountains at the Villa d'Este......Liszt An Oriental Fantasy, Islamey
Balakirev

The story of a week-end out of doors Where have they been this week-end?
What have they done?
Members of the Club — cyclists, campers, hikers, anglers-meet today in Nottinghamshire to tell you
In the chair, Bill Oakley
(A recording of the broadcast in the Midland programme on Monday)
See the pictures and short article on page 13

6—' Cornwall '
F. G. Thomas

(West)

Serenade, Op. 8
1 Marcia. 2 Adagio. 3 Minuetto. 4 Adagio-Scherzo. 5 Allegretto alia polacca. 6 Andante quasi allegretto. 7 Marcia played by The Philharmonic String Trio:
David Martin (violin)
Frederick Riddle (viola)
James Whitehead (violoncello)
The first period of the three into which it is usual to divide Beethoven's career as a composer includes nineteen pieces of chamber music, roughly one-third of the total output of those years. They range from the Septet to a Sonata for piano and mandolin, and include four string trios, of which this Serenade has always been the most popular.
It exploits the three instruments with a masterly knowledge of their possibilities. The fourth movement is an instance of Beethoven's experiments in form, combining as it does slow movement and scherzo. There is a sharp contrast in manner between the middle Allegro molto and the Adagio that is interchanged with it.

from the Continental Restaurant, Bournemouth with Dorothy Brett and Reg Powell in comedy bits and pieces
Renee Barr soprano
Eric Shrimpton
Spanish and electric guitars
Robert Keys syncopating pianist
Peter Valerio the wonder accordionist and Leonardi and his Wiener Orchester