Light Opera Company: Musical
Comedy Marches
Marek Weber and his Orchestra:
Pot-Pourri, Waltz Dream (0. Straus)
Dennis Noble (baritone): Love and War (Waltzes from Vienna) (Johann Strauss )
Marie Burke (soprano): Bill.
Can't help lovin' dat man o' mine (Show Boat) (Hammerstein, Kern)

Victor Olof Sextet: Serenata
(Moszkotcski)
Lawrence Tibbett (baritone):
None but the weary heart (Tchaikovsky). Believe me if all those endearing young charms (Moore)
Victor Olof Sextet : To a Wild
Rose. In Autumn. To a Water
Lily (MacDozvell)
Elsie Suddaby (soprano): A May
Morning (Denza). Spring had come (Coleridge- Taylor)

(pianoforte) fifteen minutes of syncopation

Edmund Frodsham
(Northern)

From the Good Old Days
Norrkoping Radio Orchestra
Conductor, Heinz Freudenthal from Stockholm

on gramophone records

Leader, Leonard Hirsch
Conductor, Eric Fogg
There are nine movements in Strauss's Suite ' Le Bourgeois Gentilhomme several of which run into one another. It begins with the Overture to the first act, a musical picture of Jourdain, the would-be gentleman himself. No. 2 is a Minuet in old-fashioned style, and the third movement is ' The
Fencing-Master ', vigorous and alert as its subject demands. Next the Tailor enters briskly, and he and his first assistant have a dance. That is followed by a setting of the famous Minuet by Lully himself, and it leads into a Courante.
The seventh movement is also based on Lully. Beginning solemnly and with a sprightly middle section before the first part returns, it presents the entrance of Cleonte. No. 8 is the prelude to the second act, an Intermezzo portraying Dorantes and Dorimene, the Count and Marchioness. The Suite comes to an end with the music which accompanies the banquet, a dance forming a part of it.

Ewart Kempson has again arranged two bridge hands which will be played by four experts. As before, the players will have no previous knowledge of the hands.
Listeners should fill in the diagram on page 50 as the hands are announced, so as to follow the bidding and play, and have a similar diagram in readiness for the second hand.
(Stagshaw)

No. 21 with Margaret Eaves
John Duncan and The Arthur Dulay Quintet
Presented by Doris Arnold
(Orchestral arrangements by Arthur Dulay )