Programme Index

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Sonata in C major (K.545)
9.17* Sonata in D major (K.576)
Andante in F major, composed for a little organ in a clock (K.616) played by MARLENE FLEET
Final programme In the series including some of Mozart's piano sonatas

Contributors

Played By:
Marlene Fleet

A weekly review edited by Anna Instone and Julian Herbage
Introduced by JULIAN HERBAGE
Bruckner's Seventh Symphony. by DERYCK COOKE
Musical Profile: Gottlob Frick , by CHARLES OSBORNE
Rank and Money: a Gilbertian discovery by KENNETH CARRDUS On playing the Flute: book review by FRITZ SPIEGL

Contributors

Edited By:
Anna Instone
Introduced By:
Julian Herbage
Unknown:
Deryck Cooke
Unknown:
Gottlob Frick
Unknown:
Charles Osborne
Unknown:
Kenneth Carrdus
Unknown:
Fritz Spiegl

by Schubert
Libretto by J. F. CASTELLI
English translation by GEORGE BARKER and HUMPHREY TREVELYAN
Cast in order of singing:
BBC NORTHERN SINGERS Chorus- Master,
Stephen Wilkinson
BBC NORTHERN
SYMPHONY ORCHESTRA
Leader, Reginald Stead
Conducted by LEO WURMSER
Produced by Peter Rorke
Second broadcast
Denis Dowling broadcasts by permission of Sadler's Wells Opera Company

Contributors

Unknown:
J. F. Castelli
Translation By:
George Barker
Translation By:
Humphrey Trevelyan
Chorus Master:
Stephen Wilkinson
Leader:
Reginald Stead
Conducted By:
Leo Wurmser
Produced By:
Peter Rorke
Unknown:
Denis Dowling

MARIANNE OBERASCHER (harp)
HANS DEINZER (clarinet)
ENSEMBLE TAGE DER NEUEN MUSIK HANNOVER 1966
Conducted by ADAM PALKA , KLAUS BERNBACHER and WERNER HEIDER
The works by Antoniou and Heider are being broadcast for the first time in this country. Recording made available by courtesy of North German Radio.
First of two programmes from the Tage der neuen Musik Hannover 1966

Contributors

Harp:
Marianne OBErascher
Conducted By:
Adam Palka
Conducted By:
Klaus Bernbacher
Conducted By:
Werner Heider

JOHN MACKINTOSH , M.P. talks about the second volume of Alan Bullock 's biography of Ernest Bevin , published last week
Mr. Mackintosh considers the book as a case-study in government's ability to organise the economy; and in the relationship between the trade unions and the Labour Party.

Contributors

Unknown:
John MacKintosh
Unknown:
Alan Bullock
Unknown:
Ernest Bevin

EVA BERNATHOVA (piano)
In the mist
6.19* Along an overgrown path
(Part 1)
Our evenings
A leaf in the wind Come with us
The Virgin of Frydek Ttey chattered like swallows No words can tell Good night
In troubled mind In tears
The little owl continues screeching

Contributors

Unknown:
Frydek Ttey

by Euripides
Translated from the Greek by DAVID THOMPSON with Music for this production composed and conducted by JOHN BECKETT
Produced by JOHN TYDEMAN
Third broadcast
The Electra of Sophocles, trans lated by C. A. Trypanis : April 30 (Home, not North)

Contributors

Unknown:
David Thompson
Conducted By:
John Beckett
Produced By:
John Tydeman
Unknown:
C. A. Trypanis
Electra:
Eileen Atkins
her brother, Orestes:
Ian McKellen
her mother,Queen Clytaemnestra:
Mary Morris
The Tutor:
Robert Harris
Peasant, husband to Electra:
Denys Hawthorne
Pylades, friend of Orestes:
Gary Watson
First Chorus:
Mary O'Farrell
Second Chorus:
Peggy Marshall
Third Chorus:
Kate Binchy
Voice of Castor:
Hector Ross

Haydn
Honor Sheppard (soprano)
John Mitchinson (tenor)
Roger Stalman (bass)
Martindale Sidwell Choir
Royal Philharmonic Orchestra
Led by Jurgcn Hess Conducted by Martindale Sidwell
Part 1

Contributors

Tenor:
John Mitchinson
Bass:
Roger Stalman
Unknown:
Jurgcn Hess
Conducted By:
Martindale Sidwell

The second of two talks
The Population Balance by E. A. WRIGLEY ,
Fellow of Peterhouse and University Lecturer in the Department of Geography. Cambridge
London grew phenomenally between 1650 and 1750. Why, and how? We can work out rough statistics of the population changes underlying this growth. And they suggest that it could have played a vital part in the demography of the world's first dramatic take-off into modern industrial growth and industrial society. This may be true psychologically as well as statistically.

Contributors

Unknown:
E. A. Wrigley

JAMES DALTON talks about some of the problems of interpretation in Bach's organ music
He examines Bach's organ transcriptions of Vivaldi and argues that these offer some guide to hiS intentions concerning registration.
Second broadcast followed by an interlude at 10.55

Contributors

Talks:
James Dalton

Network Three

Appears in

About this data

This data is drawn from the Radio Times magazine between 1923 and 2009. It shows what was scheduled to be broadcast, meaning it was subject to change and may not be accurate. More