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Music to start the day
Overture: Raymond (Thomas) SUISSE ROMANDE ORCHESTRA
Conducted by ERNEST ANSERMET
7.12- Krakowiak for piano and Orchestra (Chopin)
STEFAN ASKENASE with the HAGUE PHILHARMONIC ORCHESTRA
Conducted by WILLEM VAN OTTERLOO
7.27* Suite: Pelléas et Mélisande
(Sibelius)
LONDON SYMPHONY ORCHESTRA
Conducted by ANTHONY COLLINS
7.41* Le Tombeau de Couperin
(Ravel)
SUISSE ROMANDE ORCHESTRA
Conducted by ERNEST ANSERMET on gramophone records
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Leader, Lionel Bentley
Conductor, WYN MORRIS
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Purcell
The Ode: Come ye sons of art; and the Symphony from the Ode for St. Cecilia's Day (1692) on gramophone records
played by Douglas"Whittaker (flute) Colin Bradbury (clarinet)
Geoffrey Gambold (bassoon) William Waterhouse (bassoon) William Overton (trumpet) Ian Mackintosh (trumpet)
Alfred Flaszysnki (trombone)
Geoffrey Lindon (bass trombone)
AEOLIAN STRING QUARTET
Sydney Humphreys (violin)
Raymond Keenlyside (violin) Margaret Major (viola) Derek Simpson (cello) with ADRIAN BEERS (double-bass)
The Stravinsky Octet was broad.
Records of ballet music by Drigo, Delibes, and Massenet
† Heather Harper (soprano)
Each month a well-known artist is invited to introduce and perform a wide range of music in weekly recitals
HEATHER HARPER accompanied by GEOFFREY PARSONS (piano) sings
Harpsichord Suite No. 8, in F minor (Georg Böhm)
GUSTAV LEONHARDT (harpsichord)
11.58* Flute Quartet N0. 1 in D major (Telemann)
FRANS BRiiGGEN (flute) JAAP SCHRÖDER (violin) ANNER BYLSMA (cello)
GUSTAV LEONHARDT (harpsichord) on gramophone records
JEANNETTE SINCLAIR (soprano)
PAMELA BOWDEN (contralto)
ALEXANDER YOUNG (tenor)
FORBES ROBINSON (bass)
COVENT GARDEN OPERA CHORUS
ROYAL OPERA HOUSE ORCHESTRA COVENT GARDEN
Leader, Charles Taylor
Conducted by DOUGLAS ROBINSON
Part
HAROLD RUTLAND looks at some of the outstanding musical events that are taking place in Scotland, Wales, and the West during the next seven days and are not being broadcast
Part 2: Haydn
Representation of Chaos (The
Creation)
1.18* Mass in C major (In time of war) (1796)
Siesta (Walton)
LONDON PHILHARMONIC ORCHESTRA Conducted by SIR ADRIAN BOULT
2.5* Suite No. 1 (Ancient Airs and Dances (Respighi)
PHILHARMONIA HUNGARICA
Conducted by ANTAL DORATI
2.22- Violin Concerto
(Khachaturyan)
DAVID OISTRAKH with the PHILHARMONIA ORCHESTRA
Conducted by THE COMPOSER on gramophone records
(piano)
Four Impromptus (0.899)
(Schubert)
3.24* Sonata in G minor, Op. 49
No. 1 (Beethoven)
3.32* Variations and Fugue on a theme from Prometheus (Beethoven) on gramophone records
Opera in four acts
Music by Puccini
Words by Giuseppe Giacosa and Luigi Illica on gramophone records
Sung in Italian
RCA VICTOR
CHORUS AND ORCHESTRA and the COLUMBUS Boys' CHOIR
Conducted by SIR THOMAS BEECHAM
Act 1 An attic tn the Latin Quarter of Paris
Act 2Outside the Cafd Momus
Act 3 One of the city gales of Part. at dawn
Act 4 The attic again
Rudolph, the poet. falls deeply in Mimi; for a while they are happy together. but their love is too intense. and. regretfully, they part. Mimi's health. however, declines rapidly. and she returns to attic where she has known happi-
by MARTIN NEARY From St. Margaret's Church,
The United Nations
8: The U.N. and World Politics by F. S. NORTHEDGE
Lesson 26
Produced by George Walton Scott
Broadcast on March 23. 1964
Repeated on Saturday at 11.35 a.m. in the Home Service
A booklet and records are available
The history and relationship of the principal languages of Europe
3: The Roman Empire and the Romance languages by R. C. JOHNSTON , Professor of French Language and Literature, University of London
Talks on our changing language
3: Accents and attitudes in Britain by A. C. GIMSON
Reader in Phonetics,
University College, London
6: Joseph Conradby LAURENCE LERNER
Lecturer in English, University of Sussex
The last of a series of six talks on the relationship between artistic achievement and technical innova. tion in the main tradition of the English novel.
The making of poetry in the Caribbean by JOHN FIGUEROA
Read by JOHN FIGUEROA and GEORGE LAMMING
Produced by DOUGLAS CLEVERDON
Second broadcast
RICHARD LEWIS (tenor)
ERNEST LUSH (piano)
A third invention for radio by Barry Bermange
In collaboration with the BBC's Radiophonic Workshop
This programme is an attempt to reconstruct in sound the spiritualistic vision of Death and Eternity. Using the montage process of his earlier programmes The Dreams and Amor Dei, the author has arranged in settings of electronic sound a collection of voices recorded from life. There are four movements.
The '48'
Preludes and Fugues Nos. 17-24
(Book 2) played by RALPH KIRKPATRICK (harpsichord)
Recorded at a public concert given in the Wigmore Hall on July 2. 1964. The last of six recitals in which Ralph Kirkpatrick has played the whole of Bach's forty-eight Preludes followed by an interlude at 10.50
Today's overseas commodity and financial news. London Stock Market closing report
