and Weather Forecast
Schumann and Berlioz
YEHUDI MENUHIN (viola) PHILHARMONIA ORCHESTRA Conducted by Colin DAVIS gramophone records
and Weather Forecast
Polonaise (Eugene Onegin )
BERLIN RADIO ORCHESTRA
Conducted by FERENC FRICSAY
8.10* Manfred Symphony
N.B.C. SYMPHONY ORCHESTRA
Conducted by ARTURO TOSCANINI gramophone records
and Weather Forecast
The Burgundians Josquin des Prés
Fanfare for Louis XII Heth sold ein meisken Fama malum L'ulces etuviae
9.15* Mass: Pange lingua
NEW YORK PRO MUSICA
Conducted by NOAH GREENBERG gramophone records
Conducted by KAREL ANCERL
9 gramophone records
Malcolm Binns (piano)
Each month a well-known artist is invited to introduce and perform a wide range of music
In his second programme
† MALCOLM BINNS plays
KOECKERT STRING QUARTET
From the Usher Hall
Henryk Szeryng (violin)
Halle Orchestra
Leader, Martin Milner
Conductor, Sir John Barbirolli
Part 1
and Weather Forecast
BERNARD KEEFFE looks at some non-broadcast musical events In the West, Wales, and Scotland during the next seven days
Edinburgh
Part 2: Schumann
Symphony No. 4, in D minor
Songs with and without words, by Mendelssohn
BBC NORTHERN SINGERS
Conductor, STEPHEN WILKINSON
BARBARA PLATT (soprano) RACHEL PAYNE : (contralto) DEREK WILLIAMSON (tenor)
JOLYON DODGSON (bass-baritone) and KEITH SWALLOW (piano)
Last of four programmes
SVIATOSLAV RlCHTER plays
Fantasy in C major
2.52* Toccata in C major. Op. 7 gramophone records
Last of four programmes
Poet and Composer
The 1938 gramophone recording. by the work's original performers: sixteen famous singers of the time, and the BBC SYMPHONY ORCHESTRA
Conducted by SIR HENRY WOOD
Wagner
0 Siegfried
Acts 2 and 3 Sung In German
Gramophone records
Cast in order of singing:
VIENNA PmLHARMONIC ORCHESTRA Conducted by GEORG SOLTI
Act 2
The depths of the forest
4.58* Act 3
A wild region at the foot of a rocky mountain, changing to the summit of the Valkyrie's Rock
Fourth of six weekly programmes comprising the whole of Wagner's 'Ring'
Illustrated explanations of some standard musical terms
Coda
† by Roger NORTH
The eleventh of the main series of eighteen programmes for adults taking the G.C.E. O-level examinations in English Language and Literature, planned in association with a National-Extension College correspondence course
Radio tutor, David GRUGEON
Scriptwriter, Emmeline Garnett
Produced by Peggy Bacon
First broadcast November 5, 1966
Repeated: Saturday, 11.35 a.m. (Home)
Details of the correspondence course can be obtained from The National Extension College, [address removed]
4: Free Institutions
Introduced by Richard Hiscocks
Professor of International Relations, University of Sussex
Monday's broadcast
A study of the vocal sounds associated with religious musical ritual by A. L. LLOYD
Illustrated by field recordings
Produced by Douglas Cleverdon
Second broadcast
Ian Partridge (tenor) Nigel Rogers (tenor)
Thames Chamber Choir
London Trombone Quartet: Tony Moore (tenor-trombone), Alan Lumsden (tenor-trombone), Arthur Wilson (tenor-trombone), John Pritchard (bass-trombone)
Neville Marriner (violin), Hugh Maguire (violin), John Gray (double-bass), Simon Preston (organ)
Conducted by Louis Halsey
Confitebor tibi Domine (first setting)
Laudate Dominum
Dixit Dominus (second setting)
Salve regina
Gloria a 7
From Holy Trinity Church, Prince Consort Road, London
The seventh programme In a series celebrating the 400th anniversary of the composer's birth
Some reflections on the structuralist anthropology of Claude Livi-Strauss by NATHANIEL TARN poet and anthropologist
... and there is pansies, that's for thoughts. Hamtet IV, 5
Mr. Tarn's talk is occasioned by the publication of La pensée sauvage (translated as The Savage Mind), the most recent work by the French anthropologist and philosopher to appear in English.
† HEUTLING STRING QUARTET
Werner Heutling (violin)
Oswald Gattermann (violin) Erich Bohlscheid (viola) Konrad Haesler (cello)
The second of two illustrated talks by EDWARD LOCKSPEISER
Wagner's theory of the total wort of art which he called the ' Gesamtkunstwerk' had a far-reaching effect on later artistic developments. In these programmes Edward Lockspeiser Investigates the origin of this theory and shows how it is illustrated in the inter-related spheres of music, literature, and painting in the nineteenth and twentieth centuries.
Second broadcast followed by an Interlude at 10.50
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